A Quote by Josh Hartnett
When the director has a vision for a piece that I've never heard before, and they can back that up with visuals, and they talk a good game, I get really interested in the world that they're trying to create.
Related Quotes
I'm always trying to find something unique or a project that I can do something unique in. When the director has a vision for a piece that I've never heard before, and they can back that up with visuals and they talk a good game, I get really interested in the world that they're trying to create.
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
After PayPal, I never thought I would get interested in payments again. But bitcoin is fulfilling PayPal's original vision to create 'the new world currency.'
I had never heard of Meghan before. I was beautifully surprised when I walked into that room and saw her, and there she was, sitting there. I thought, 'I am really going to have to up my game here, sit down, and make sure I've got a good chat.'
I believe that the director is really the soul. It is a collaborative effort, but the director is the one who needs to have that vision. It could be a great script, but it starts from there. You need to have good material, at least, but if you don't have someone with vision, it's just words.
When I do a film, usually I work from my director. That's my boss. The director is interpreting the writer's vision, and we all interpret it, and they create their own vision as well.
The shift for me, after spending a long time trying to take existing projects and bring them to fruition as a director for hire, is going back to where I started as a self-generating director. After trying and failing to get so many things made, I have decided that you've just got to do something you really, really love.
I certainly would never overstep my bounds and make suggestions to a director. As an actor I'm trying to fit to the best of my abilities within the director's vision, and trying to find some happy rapport where we can both bring something to it that's fresh. Usually I've been lucky in working with directors who have trusted my instincts.
Before writing a single note of music, and even before the spotting session, I find it best to sit down with the director and just listen to him or her talk about the film - what they're trying to say, what they want the audience to understand or believe, and a thousand other similar questions. The director has most likely been living with the film for years before a composer is attached, and so the director's inclinations, desires, and understanding of the film are paramount.
As I was growing up, people were always trying to talk about their sexual conquests, trying to make themselves appear like a cassanova. I'm surprised you haven't heard that, I really am.
When I'm in the studio, I write the music, I play the different instruments, I produce it, I arrange it, and it's a self-indulgent exercise. It's the way I make my music. And when I'm acting, I get to leave myself behind, which is a relief. I get to collaborate with a director; I respect the director's medium and all the actors and actresses. So at the end of the day, it's about a character and it's about a director's vision. It's a really good balance for being so intense and alone in my personal process of making music.
I love the game, it's the greatest game on earth, that's why I can't understand all of this talk about trying to make the game better. People talk about the high strike zone and changing this and that. Why? To speed up the game? That's the beauty of baseball. There is no time element.
I do think that taking these sort of natural mind-opening and altering drugs does have an effect. Doors and windows that you didn't even know were in the house are open and you're seeing views you've never noticed before. Even though, when you come down, the world sort of goes back to the way it was, an inkling of that transformed vision and experience of the world remains. I think it's a little bit medicinal, and over time it sort of builds up a new experience of the world. That's when I think smoking pot and doing drugs is really good for you, spiritually speaking.
A director is the captain of the ship; he gets the vision of the film much before anyone else can. While I want to experiment with characters, I know a good director means I am in safe hands.
I went back and studied the game, was a student of the game and worked on my craft and dedicated myself, you know? A lot of my music revolves around me growing up in Compton. I want to tell a different story that's never been told before, of a good kid in a mad city.
Up to the age of 14 I had not heard a note of anything before 1750, never heard a note of Bach, never heard anything after Wagner, and never heard any real jazz.
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