A Quote by Josh Helman

X-Men films have always been big, and necessarily so, because of the stories they have to tell. — © Josh Helman
X-Men films have always been big, and necessarily so, because of the stories they have to tell.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them. Maybe they would have been less glamorous than films, but I would continue to tell stories.
I don't do films because they tell a particular kind of story, I do films with stories that touch me.
During the last decades, films about the black experience have been produced, directed, and even scripted by white men. Some of them are excellent. But most reflect George Bernard Shaw’s warning that 'if you do not tell your stories others will tell them for you and they will vulgarize and degrade you.'
I have been very selective in the South because I was always offered the biggest films. In Bollywood, things are different because multi-starrers are a norm. All big heroines are happy to be part of a big movie.
I realized that many men are happy to play a supporting role to another man, but they are much less happy to play a supporting role to a woman. People are saying we need more females in our industry and we need more female-driven stories, but that takes the men of bankable star quality to come forward and play supporting roles in those films, because ultimately that's what the women have always done. We've always lent our name value to male-centric stories, and now we're going to have to ask the men to swallow their pride, because it seems that it's about pride.
We can't tell particularly smart stories if we want to keep our audience big enough to pay for these big spectacle films that we want to do.
To be quite honest, numbers don't tell you everything because audience reactions differ. Some of the biggest films at the box office are not necessarily films that everyone has loved, they just opened to a good response.
You've got these big studio films and these tiny independent films now. It's very much either/or. With the independent films, it's always a beautiful risk - it might never be seen. With the studio films, you're conforming to the formula of what's always been in place.
I've always been a big proponent of point of view in cinema. Not necessarily that the point of view has to be subjective, but that in all great films the point of view has been taken into account and established.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
I've always been interested in showing our films to international audiences. The easiest way is through the festival circuit, a big marketing platform for films that aren't big enough to be in the mainstream race.
I first studied to be a preacher, but decided that I was too prone to tell big stories. Then I studied Blackstone for a while and soon learned that I was not adept enough at prevarication to make a successful lawyer. I then made up my mind that I would seek some field where I could tell big stories and tell the truth.
As a kid, I was always the jokester. I was telling stories at dinner and trying to make people laugh. I guess I've always just been naturally inclined to tell stories.
India uses Bollywood, rather cinema, to tell its stories. It is one of the largest filmmaking nations in the world and so your talents get to tell stories about politics, love and drama through films.
Every woman should have a daughter to tell her stories to. Otherwise, the lessons learned are as useless as spare buttons from a discarded shirt. And all that is left is a fading name and the shape of a nose or the color of hair. The men who write the history books will tell you the stories of battles and conquests. But the women will tell you the stories of people's hearts.
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