A Quote by Josh Henderson

Before we shot the pilot, I knew what 'Dallas' was, but I actually was too young to remember the details of the show. I didn't have my hands on the DVDs, so I YouTubed everything I could of J.R.
I was playing this sort of asshole actor [in The Jenny McCarthy Show]. And we shot the pilot, and it was a guaranteed go. It was going to be 24 [episodes] on the air. No questions from NBC. And we shot the pilot, and I was in Toronto doing a movie, and I got a call saying they cut the character, that I was off the show.
Coming out of Dallas and doing commercial work in Dallas - if you had improv background in Dallas, then you were instantly shot to the top of the list of commercial bookings because they loved improvisers because you could elevate the material.
I remember on the pilot of 'Will and Grace' some executives from NBC saying to me, 'There are too many gay jokes.' I said, 'If not on this show, then what show?'
I only wish I could have played in the big leagues when I was young enough to show what I could do. When an offer was given to me to join up, I was too old, and I knew it.
I've always said that it's like being the winner of three separate lottery tickets - getting a pilot, getting the pilot picked up, and having a show that actually lasts. There are no guarantees, and no one knows where a show is going to go.
My generation knew pretty well what happened 50 years before our birth. Now I follow all the quiz programs because they are a paramount example of the span of memory of the young generation - they are able to remember everything that happened in their life but not before.
The director of the [Grimm] pilot called me in. I had worked on a pilot called Love Bites with him, and the producers I worked on with on Hot In Cleveland, so they knew me from comedic worlds, and they wanted someone who could be light too. Because it is pretty heavy.
I think that when you remember, remember, remember everything like that, you could go on until you remember what was there before you were in the world.
I was selling stuff probably since I could remember, like 6 or 7 years old. I was always out there helping my mom and dad sell watches, glasses, CDs, DVDs, stuff like that. Whatever we could put our hands on. I did it until I was around 17. But I was just doing it because I had to. There was no other option.
I gained in experience with every plane shot down, and now was able to fire in a calm, deliberate manner. Each attack was made in a precise manner. Distance and deflection were carefully judged before firing. This is not something that comes by accident; only by experience can a pilot overcome feelings of panic. A thousand missions could be flown and be of no use if the pilot has not exchanged fire with the enemy.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
The first time I tried to put a new diaper on my baby, I yanked the little Velcro strap too jerkily and actually punched the little guy in the jaw. A real solid shot, too. I knew instinctively that this could not be correct. Unless you're specifically trying to raise a welterweight, continual deliverance of powerful uppercuts is not advised when handling newborns.
Remember that the truth is in the details. No matter how you see the world or what style it imposes on your work as an artist, the truth is in the details. Of course the devil's there, too-everyone says so-but maybe truth and the devil are words for the same thing. It could be you know.
I've worked myself to exhaustion before. I was so young, and I thought I could do everything; it was just too much for my body and my mind.
When I was on 'Dallas,' I was known to audiences of the '80s. And then when my sons, who are in their 30s now, were going to college, 'Dallas' was the cult thing to watch because it was being done on the soap channels, so a whole new generation saw it. And then I have the young fans that knew me from 'Step By Step' in the '90s.
I've always said that it's like being the winner of three separate lottery tickets - getting a pilot, getting the pilot picked up, and having a show that actually lasts.
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