A Quote by Josh Holloway
For me, the entire journey of Lost has been walking that fine line between discovering Sawyer's humanity and, yet, keeping his edge of anger and destructiveness. He's been through every situation possible, emotionally and physically. Sometimes, it's been scary to get in touch with his growth, especially his relationship with Juliet. I really thought the audience might reject the softer side of Sawyer we saw in that. As for what will happen with him and Kate, all I can say is they have a love that is undeniable, but maybe it must be denied.
Quote Topics
Anger
Audience
Been
Between
Denied
Destructiveness
Discovering
Edge
Emotionally
Entire
Every
Fine
Fine Line
Get
Growth
Happen
Him
His
Humanity
Journey
Juliet
Kate
Keeping
Line
Lost
Love
Maybe
Me
Might
Must
Physically
Possible
Really
Reject
Relationship
Saw
Sawyer
Say
Scary
Side
Situation
Softer
Sometimes
Thought
Through
Touch
Undeniable
Walking
Will
Quote Author
Related Quotes
I could tell by his expression that once he got over his anger at me for keeping this secret from him, there was nothing left to talk about. He wasn't confused. He didn't need questions answered. He didn't ask why or how or with whom or whether I thought maybe it might just be a phase. He didn't ask who knew and who didn't know or whether I thought it might ruin my career. I was his sister and he didn't care whether I was straight or gay; it simply didn't matter to him.
Heat skittered through her belly, then directly south. “Sawyer.” In answer, he brought his head up and kissed her. Deep, hungry, tasting her in a purposely slow, thorough manner before pulling back to once again look into her eyes. Oh, God. “Sawyer, what are we doing?” she whispered. He shook his head. “No f#cking clue.
Staying with him. Letting him touch you, hold you, GOD. It's eating me alive. You may be keeping Sawyer from hating me but you're only making me hate him
There was a man that hated his footprints and his shadow, so one day he thought that if he ran fast enough, his footprints and shadow would not be able to follow him and then he never ever had to look at them again. He ran and he ran as fast as he could, but the shadow and the footprints had no problems keeping up to him. And he ran even faster and all of a sudden he fell dead to the ground. But if he been standing still there hadn't been any footprints and if he had been resting under a tree his shadow had been swallowed of the trees shadow.
The entire experience of 'Sonali Cable' has been beautiful. It has been a long journey for me, both physically and emotionally and a great learning experience.
Do what he will, he [the profane man] is an inheritor. He cannot utterly abolish his past, since he himself is a product of his past. He forms himself by a series of denials and refusals, but he continues to be haunted by the realities that he has refused and denied. To acquire a world of his own, he has desacralized the world in which his ancestors lived; but to do so he has been obliged to adopt an earlier type of behavior, and that behavior is still emotionally present in him, in one form or another, ready to be reactualized in his deepest being.
He felt safe with her. He'd never been safe with another human being, not since he'd been taken as a child from his home. He'd never been able to trust. He could never give that last small piece - all that was left of his humanity - into someone else's keeping. And now there was Rikki. She let him be whatever he had to be to survive. She didn't ask anything of him. There was no hidden motive. No agenda. Just acceptance. She was different - imperfect, or so she thought - and she knew what it was like to fight to carve out a space for herself. She was willing for him to do thar.
Proust writes, he remembers, physically. He depends on his body to give him the information that will bring him to the past. His book is called 'In Search of Lost Time,' and he does it through the senses. He does it through smell. He does it through feeling. He does it through texture. It is all physically driven, that language.
I'd once been fascinated by his legend - all the stories I'd heard before I met him. Now I can feel that same sense of fascination returning. I picture his face, so beautiful even after pain and torture and grief, his blue eyes bright and sincere. I'm ashamed to admit that I enjoyed my brief time with him in his prison cell. His voice can make me forget about all the details running through my mind, bringing with it emotions of desire, or fear instead, sometimes even anger, but always triggering something. Something that wasn't there before.
Green Arrow has gone through so many changes; he's been right-wing, he's been left-wing, he's been rich, he's been poor, he's been a social justice guy, then when I got him, he was a rich playboy guy. So it was a lot harder to get into a character that has so many personas in the past, and I just looked at his anger.
Since the foundation of the world man has had nearly all the forces on his side, working with him and for him; his intellect has been stimulated, while that of woman has been abased; he has had the run of the world and all quickening and brightening things, while she has sat in the cinders, and until of late been illumined only by his reflected light.
The man who will go where his colors go, without asking, who will fight a phantom foe in the jungle and mountain range, without counting, and who will suffer and die in the midst of incredible hardship, without complaint, is still what he has always been, from Imperial Rome to sceptered Britain to democratic America. He is the stuff of which legions are made. His pride is in his colors and his regiment, his training hard and thorough and coldly realistic, to fit him for what he must face and his obedience is to his orders. He has been called United States Marine.
I think Stanley Tucci was having an affair with his mother. He had this odd quality that I haven't seen him ever get to do again in a movie that just made me think he's got some chops. He's got a strangeness to him, but he's also clearly been stuck in this role because of his looks and his type. He's been really pigeonholed, I felt.
What he wanted was not just to hear about Hailsham, but to remember Hailsham, just like it had been his own childhood. He knew he was close to completing and so that's what he was doing: getting me to describe things to him, so they'd really sink in, so that maybe during those sleepless nights, with the drugs and the paint and the exhaustion, the line would blur between what were my memories and what were his.
I would say that I learned that the heartbreak wasn't as much about me as the fact that my partner wasn't right with himself. I see where his life has taken him, and realize that the handwriting was on the wall. There were things that I had blamed myself for, but it was really more about his choices, his needs and his journey as a person. His desire for too much of everything made it a challenging relationship.
Blay said roughly,"I'm still in love with him" Saxton dropped his eyes and brushed at the top of his thigh, as if there might have been a tiny piece of lint there. " I know. You thought you weren't?
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