A Quote by Josh Homme

I think one of the coolest things you can do is disappear for a while, because it gives you the chance to re-emerge. To sort of pounce out of the jungle. — © Josh Homme
I think one of the coolest things you can do is disappear for a while, because it gives you the chance to re-emerge. To sort of pounce out of the jungle.
Not a lot of people get a second chance. And I think for a while there, my name kind of got in my way a bit, based on all of the television I was fortunate enough to do. But after a while, you sort of wear out your welcome in that genre, in that medium.
As an actor, I think sort of relish the chance to take a leap and sort of put yourself out there. You know, it's, like on any film, you just have to be willing to embarrass yourself, because otherwise you are not going to really reveal anything that you have. So I think it's exciting.
I only choose musicians who I think will emerge, can emerge, with their own character, while still going along with the tune in question.
I've said things on Twitter that I've said deliberately because I think they're out of order, I think that's the sense of humour that I've got. I like saying things that I think are terrible, because it gives me a buzz.
I think that's what happens when you get scared, and you're rushing, and you don't have time. Rather than cut things out and take a chance, and build things up you think are working, you cut everything down a little bit, and everything sort of suffers.
You have to be ready to pounce when a rare chance comes.
The horror genre gets you in touch with our primal instincts as a people more than any other genre I can think of. It gives you this chance to sort of reflect on who we are and look at the sort of uglier side that we don't always look at, and have fun with that very thing.
I think one of the reasons 'Gremlins' lasts and some other films don't is because I don't think the movie has a whole lot of dated things - sure, the cars, my hair, and few things here and there that date the movie - but it takes place in a sort of everytown, in a sorta non-specific time, and that gives the movie a timeless quality.
One of the coolest things with the Internet is that it is used by the entire population - as part of education and just on a daily basis for communication. I think that has been one of the coolest technologies that has been developed.
My boyfriend's a musician, and I think when he's on stage is the only time he's not worrying. And so that's the reason he keeps doing it is because it gives him that sort of experience of weightlessness that I only get out of being sort of, deep into writing something or really lost in a moment on set, like it's available to me in these select moments through my work.
Computers are still technology because we are still wrestling with it: it's still being invented; we're still trying to work out how it works. There's a world of game interaction to come that you or I wouldn't recognise. It's time for the machines to disappear. The computer's got to disappear into all of the things we use.
It's become this sort of strange competition about who's in the coolest place, who's in the coolest street. Suddenly we're having to engage with all those social pressures. It's helpful, I find, as a mother and a teacher, to say you've always got a choice.
Life attacks us like a blind beast. It swallows up time, the years of our life, it passes like a typhoon and leaves nothing behind. Not even memory, because memory is made of the same swift, ungraspable substance out of which illusions emerge and then disappear.
Actors go into it because it gives us the chance to play people a great deal more interesting than we are, and to say things infinitely wittier and more intelligent than anything we could think of.
There is always some criticism. Tell me one thing that Narendra Modi does and you don't criticise. If he gives a chance to newcomers, you say he forgot the old guard; if he gives a chance to an incumbent, you say Modi doesn't give a chance to young leaders.
An artist attunes to what things are, which means sort of listening to the future, which is just how things are - I think time is a sort of liquid that pours out of hatpins, underground trains, salt crystals. So a work of art is also listening to itself, because what it is never quite coincides with how it appears, too.
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