A Quote by Josh Hutcherson
Acting is a challenge at times. I mean, when you have scenes where you're jumping into a mascot bear to travel back in time, and you try to make that seem real. For me, I'm a person that has a pretty wild imagination, just kind of letting that run wild and sort of just doing the best you can to not feel stupid.
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I try to be good but sometimes a person just has to break out and act like the wild and springy thing one used to be. It's impossible not to remember wild an want it back.
Hear and attend and listen; for this is what befell and be-happened and became and was, O my Best Beloved, when the Tame animals were wild. The dog was wild, and the Horse was wild, and the Cow was wild, and the Sheep was wild, and the Pig was wild -as wild as wild could be - and they walked in the Wet Wild Woods by their wild lones. But the wildest of all the wild animals was the Cat. He walked by himself and all places were alike to him
Ideas for songs can come from something as simple as a photograph and letting my imagination run wild on an old photograph that I found, or to a film that I have seen or to just most of the time, just daily walking through life and keeping your eyes open.
But talent—if you don't encourage it, if you don't train it, it dies. It might run wild for a little while, but it will never mean anything. Like a wild horse. If you don't tame it and teach it to run on track, to pace itself and bear a rider, it doesn't matter how fast it is. It's useless.
I've got a pretty wild imagination, and a lot of times, I have to be reeled back in.
Just getting to talk to that person [Woody Allen ] in real life was pretty wild.
The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
The cat will keep his side of the bargain. He will kill mice, and he will be kind to babies when he is in the house, just so long as they do not pull his tail too hard. But when he has done that, and between times, and when the moon gets up and night comes, he is the Cat that walks by himself, and all places are alike to him. Then he goes out to the Wet Wild Woods or up on the Wet Wild trees or on the Wet Wild roofs, waving his wild tail and walking by his wild lone.
Increasingly, we will be faced with a choice: whether to keep the oceans for wild fish or farmed fish. Farming domesticated species in close proximity with wild fish will mean that domesticated fish always win. Nobody in the world of policy appears to be asking what is best for society, wild fish or farmed fish. And what sort of farmed fish, anyway? Were this question to be asked, and answered honestly, we might find that our interests lay in prioritizing wild fish and making their ecosystems more productive by leaving them alone enough of the time.
Cursing dads are terrifying, you know? Cursing dads are - I don't know why, but no. It just doesn't seem to me that that would be funny. I mean it might be - you could try it and see. I suppose anybody just losing it and sputtering curses is pretty funny. But I think it would be more of a challenge, much more of a challenge, to make a cursing dad funny.
Usually when I'm out doing stuff, I'm just out in the wild, doing the wild thing. I don't really get a chance to just chill out until I come here, in my creative space.
I had a wild imagination as a kid - wild! - and I was outside all the time, swinging around in trees by myself.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
For me, making a lot of dramas on one side it's a different sort of challenge, and on the other, it's not a challenge at all, meaning that my goal is to try and bring the realism and acting you might find in a straight drama with the intentions and conflict, where it doesn't feel tongue-in-cheek, but rather committed and real.
Being wild can be wearing a silly hat. Being wild can be dancing weird. Being wild can be shooting people. What do I think being wild is? Nothing. Actually, the whole world is wild. Everything is wild.
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