A Quote by Josh Hutcherson

I think directing is a huge responsibility and it's not something where you can just be like, "Yeah, sure, I'll give it a go!" I think it's something you really need to focus on, and put a lot of effort and attention into.
I loved theater and went to Circle in the Square's post-graduate program for two years and studied acting and directing and I loved it. I loved acting and directing - I really like directing a lot. Some days I think maybe someday I'll go back and direct something.
Sometimes when you're producing or directing something, and which I've been at fault to do in the past, you find yourself trying to do a portion of everyone else's job because you're just trying to be so in control and you think that you have to be hands on, on absolutely everything. You give your sense, you give your keynote to make sure the DNA is consistent. I think that's all you can really do.
I think coming off of "Blame", I've been talking a lot about directing. It's something that I really love and connect with. I truly consider it what I was born to do. That kind of loops in with filmmaking on the whole, because when you create something, you're also wearing a lot more hats than just director. At the same time, I also think acting is something that's very powerful in my life.
I think a lot of us think we've failed when we've put the weight back on, but when this happens. you have to pay attention because you can actually learn something. You didn't fail. You just need to stay conscious and know where you went wrong and try again.
I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.
I think my interest in risk is pretty high, a lot higher than I think a lot of other people who are just looking for something to kind of define themselves, give them a set of fingerprints, and certainly is better for the pocketbook. For me it's always about trying new things and wanting to explore something else and something new of myself and of actors I really like.
I will take responsibility for any impression or anything I've ever done that people have legitimate questions about. But I think that it's fair to say there's been a concerted effort to convince people like that young man of something, nobody's quite sure what, but of something.
I think it's helped me evolve all around, as an artist and as a person. I think we need something, need something to believe in. We need something that makes us pay attention to these humbling experiences.
I don't really try to predict what can and will happen with things. Sometimes you think something's gonna be a huge success, and it isn't. And sometimes you pay no attention to something whatsoever, and God just makes it into everything.
I would advice to focus on your craft. Nowadays, a lot of people come to quote-unquote Hollywood thinking that all they just have to be different or do something outlandish or have a huge personality to become a star. But I think that if you just focus on the craft, you'll have a better chance at longevity.
I think the challenges that come with the responsibility of art directing something is something that appeals to me.
There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.'
In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.
I think that a lot of the most talented and driven people, they're not super deterred by failure. So if you put out a really big challenge, I think they get reality excited by that - they say, 'Hey, why not, let's go give it a shot, and if we fall short on that, at least we took a shot at doing something really important and meaningful.'
Yeah, I think that a play is a huge commitment, and I think that what it requires of you is a lot, so it really makes you dig in and find things, and it just makes you sharp, 'cause it's live. Really, to me, it separates the men from the boys. I always say it's like the frontlines of acting, when you're on stage.
Usually when I'm painting something it takes a lot of focus. I have the room I go into called the white room. In my imagination when I'm really focused I go into that white room and all that's there is me, my painting, and my tools. There's no distraction. When I'm really concentrated I like to have it silent but when I'm doing something that doesn't have to be necessarily perfect, I can just go for it.
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