A Quote by Josh Hutcherson

I think the brutality is important to convey as part of the story, to see how brutal it is to have these kids in battle with one another. — © Josh Hutcherson
I think the brutality is important to convey as part of the story, to see how brutal it is to have these kids in battle with one another.
I think violence, cynicism, brutality and fashion are the staples of our diet. I think in the grand history of story-telling, going back to people sitting around fires, the dark side of human nature has always been very important. Movies are part of that tradition.
Story is important but the most important is the theme and how you're going to convey theme cinematically. I'm a believer also.
Well, I think having your kids see you role model behavior of dignity when it's hard, when you're upset, when you want to confront somebody but you don't want to and you're nervous about it, when you are having moments where abuse of power is coming on to you. I think it's really important for kids to see how you handle that.
My final words of advice to you are educate, agitate and organize; have faith in yourself. With justice on our side I do not see how we can loose our battle. The battle to me is a matter of joy. The battle is in the fullest sense spiritual. There is nothing material or social in it. For ours is a battle not for wealth or for power. It is battle for freedom. It is the battle of reclamation of human personality.
Lester del Rey told me repeatedly that the first and most important part of writing fiction is just to think about the story. Don't write anything down. Don't try to pull anything together right away. Just dream for a while and see what happens. There isn't any timetable involved, no measuring stick for how long it ought to take. For each book, it is different. But that period of thinking, of reflection, is crucial to how successful your story will turn out to be.
I think it's important to let kids be kids and be cautious about accelerated sexuality as pressure to mature too quickly. My hackles go up when I see a teacher making kids feel like they are older, special, mature. Let kids be kids.
I think that actually the rhythmic nature of picture books and of young reader story books is a way to help kids fall in love with language and what you can do with it and how it sounds in your range. It sort of has a musicality but on the other hand they get the story and the ideas and the context of it. I think it's a way to get kids into it and I also think that when kids are around people who love books it rubs off on them.
One of the things called forth by the Imagist movement in poetry was neatness; and when we say keenness, we mean neatness. A knife that is keen is also a knife that cuts neatly; it isn't brutal. Sharpness is different from brutality. Brutality is clumsy: it is wide - it has a lot of fist and thumb and no delicate finger.
I try not to see new comics - their acts or their films. Part of that is professional. I don't want to be influenced. But another part is fear and jealousy. I'm afraid to see how good they might be. I don't like that emotion, but it's part of me.
When you’re telling a story, you’re trying to connect to people in a particular way … The way in which you guys have inhabited this world, this universe, has made you part of it, part of the story. You are living in Firefly. When I see you guys, I don’t think the show is off the air. I don’t think there’s a show; I think that’s what the world is like. … The story is our lives.
This is the problem with the United States: there's no leadership. A leader would say, 'Police brutality is an oxymoron. There are no brutal police. The minute you become brutal you're no longer police.' So, what, we're not dealing with police. We're dealing with a federally authorized gang.
What the horrors of war are, no one can imagine. They are not wounds and blood and fever, spotted and low, or dysentery, chronic and acute, cold and heat and famine. They are intoxication, drunken brutality, demoralization and disorder on the part of the inferior... jealousies, meanness, indifference, selfish brutality on the part of the superior.
To me, it doesn't really matter how big the part is as long as the part is important to the story.
Stage is so important because it teaches me how to convey character with words - how to convey how a character reacts by the way they appear on stage. I can usually tell a playwright from someone who has never written for the stage. Did the character work? Did the dialogue reveal who the character is?
When you're out there and you see how excited the kids get to talk to you and how much they enjoy watching us play, it's really touching and I think we all appreciate what we do so much more when you see the excitement that you bring; especially with the kids.
How very important it is to bring about in the human mind the radical revolution. The crisis is a crisis in consciousness, a crisis that cannot anymore accept the old norms, the old patterns, the ancient traditions. Considering what the world is now with all the misery, conflict, destructive brutality, aggression and so on... man is still as he was, is still brutal, violent, aggressive, acquisitive, competitive and has built a society along these lines.
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