A Quote by Josh Klinghoffer

Dot Hacker, to me, sounds like a collection of all my tastes. I hear four people trying to fill up as much space as they can. — © Josh Klinghoffer
Dot Hacker, to me, sounds like a collection of all my tastes. I hear four people trying to fill up as much space as they can.
Rhythms and sounds are often the first thing I hear and want in a poem, so I can't imagine trying to translate something without at least being able to hear what it sounds like.
I can only have four to five ounces of food in my stomach. When you only have that much space in there, you don't want to fill it up with crap.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
When I hear people who love my music and are trying to copy it, it sounds strange to me because it sounds so simple, made by other people. It took me a lot of years to find the balance, to find a way to be on the edge of being accessible but at the same time having the echo of a deep, more complex world.
Trane was the perfect saxophonist for Monk's music because of the space that Monk always used. Trane could fill up all that space with all them chords and sounds he was playing then.
There are so many times I turn on the radio, and I hear a guy, and I have no idea who it is because it sounds like four other people.
My wife, trying to be helpful, goes to the grocery store and buys this stuff called soy bacon. Let me tell you something: I know soy beans are good for a lot of things. Let's stay out of the bacon market! It says It looks and tastes like real bacon! No it doesn't! It tastes like somebody bacon-flavored a turd, that's what it tastes like!
I don't physically put Appetite For Destruction in and listen to it, but I hear it on the radio or at sporting events or wherever else it pops up, and it's great. I dig everything about it. When I hear Appetite, it sounds like exactly what it was. It sounds like a record made by an angry bunch of kids.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
Just trying to be different - when I hear something - I don't like to go trampling on other people's sounds.
Japanese people they hear my warmin' up and they start screamin'. They can tell it's me.It's my tone on the trumpet, it sounds like I'm speakin'.
And all the world is football-shaped It's just for me to kick in space And I can see, hear, smell, touch, taste And I've got one, two, three, four, five Senses working overtime Trying to take this all in I've got one, two, three, four, five Senses working overtime Trying to taste the difference 'tween a lemon and a lime Pain and pleasure and the church bells softly chime.
Each of us has a God-shaped space within us. Only God can fill that space. But we run ourselves ragged trying to find things other than God to fill it with.
I'm not afraid to call a wine that tastes like Skittles or green peppers mixed with orange marmalade. I'll say, 'It tastes like chicken.' I mean, that's not what people think of when they think of wine, but that's what it tastes like to me and it hits home.
I think there's a huge parallel that affects my musical taste, and connections that have to do with my ethnic diversity and my musical tastes and the diversity of that. And it's interesting that, growing up on the circuit, it posed such a challenge, not only to me deciding what my identity was amongst my peers, but then on the music side, it was like trying to explain or convince people especially in the music industry that there was a place for what I was trying to do. But at the same time, I think it has a lot to do with timing and even me, like, understanding it.
It really surprises me that people in this day and age still write such busy music and fill up every space with layer upon layer of sound... it's like musical landfill.
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