A Quote by Josh Kopelman

When I started half.com, our three biggest competitors were Borders, Tower Records and Blockbuster Video. — © Josh Kopelman
When I started half.com, our three biggest competitors were Borders, Tower Records and Blockbuster Video.
For years, Blockbuster Video has edited movies. Like The Bad Lieutenant, when he's masturbating while the girls in the car are doing the thing. I rented it from Blockbuster and sped to that scene, and it was gone. I called up Blockbuster, and I'm like, "I got an erection, and the scene's not there."
Over half of the traffic that flows over our networks is coming from video. As you think about a business that is going to be video centric and video focused, you want to have scale on the video programming side to be able to take advantage of this.
The first listen is very important to me. Half of my favorite records just hit you in the face immediately with something memorable and within three-and-a-half minutes you know you've heard something really special. I want to make records like that, but it's a big challenge.
The beginnings of my studies also came to me from my father, as well as from the Rabbinical Judge of our town. But they were preceded by three tutors under whom I studied, one after the other, from the time I was three and a half till I turned eight and a half.
When I was first starting out in the industry in the early '90s, gay love stories were relegated to limited-release films that were hidden deep in the back of Blockbuster video stores.
I spent a lot of time in Tower Records. I'm a huge music nerd, and Tower was instrumental to me when I was growing up.
I would love to act. I get to do it in three and a half minutes in a video on a three-day shoot, which is fun.
We did three records in three years and I don't know how many world tours, and we were just in our early 20s. And then we imploded.
Our problems stem from our childhood. Ray was, for so long, the only boy. Then I arrive and take all his limelight away from him. That must have quite a profound effect. I sometimes think that Ray was only happy for three-and-a-half years in his life. And those were the three-and-a-half years before I was born.
When I started off in England, HMV or Tower Records would come to meetings and be, like, 'We just don't know what this genre is.' I don't really fit in between Rihanna and Beyonce.
All of our lives are enriched by our culture, from blockbuster films, best-selling video games, independent music, and internationally-renowned museums and art collections, to theatre, opera, ballet, literary festivals and performance poetry.
At 18, I moved to L.A. with my heavy metal band Avant Garde, which was very much influenced by Metallica. At 19, I got a job at Tower Records, and everything started to change very quickly. I started listening to the Velvet Underground, Pixies, early Nirvana, Sonic Youth, and also earlier music like the Beatles.
We respect all of our competitors, and when I talk about our competitors, all of our competitors for entertainment time and leisure time.
We have signed with Artemis Records. Originally they were our distributor for 'Group Therapy'. My former manager (Chip Quigley) started a record label (Recon Records) and had Artemis Records as their distributor. Unfortunately, the way the label was run meant that it didn't turn out the way that we thought it was going to be. We simply got into something that was different to what we initially thought
When we first started 'The Breakfast Club,' we wanted to have a video person dedicated to filming our interviews and sending out content. I think having video clips that could go viral, or get picked up by media outlets, helped us get syndicated, because people in other cities were familiar with us from having seen our videos.
I did three club tours before I started playing concert halls, and the clubs were half full the first time around.
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