A Quote by Josh Lanyon
A pause followed my greeting. Then “We’re watching you ” whispered the voice on the other end. “Yeah? Did you see what I did with my keys? ” Silence. Then dial tone. These younger demons. So easily discouraged.
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Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
I find myself so easily discouraged. It is pathetic how easily I can be discouraged - easily discouraged by resistance, easily discouraged by opposition, easily discouraged by hardness of heart, easily discouraged by blindness.
There was a pause, static, a muttered "Give me that," by an indignant female. Then the normally quiet reserved Ashlyn was demanding, "Did you just drunk dial my husband?" "Yes, ma'am," Strider said, and the other two finally burst into laughter.
Yeah, I came in at the end of the Notorious album, played on about five tracks and then we went on a tour. Then we did another album, Big Thing, and then we started writing songs together in 1989.
And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice.
The process of finding my voice as SpongeBob was to start by watching what Tom Kenny did, trying to do an impression of sorts, and then forgetting all about it and letting the voice become a second-nature thing.
A voice of greeting from the wind was sent; The mists enfolded me with soft white arms; The birds did sing to lap me in content, The rivers wove their charms, And every little daisy in the grass Did look up in my face, and smile to see me pass!
I mostly did musicals and concerts when I was younger, and then I realized I don't quite have the voice for it, so I went into acting, which I enjoy more.
We did exactly what everybody in the country did, watching it. You entered this state of sort of denials. You think, well, it must have been a tragic accident by an amateur pilot. And then you see the next plane coming.
Paul?” I said. My voice shook a little. “It’s Jo.” Silence. I couldn’t tell what was happening on the other end. Then, very quietly, “Jesus.” “No, just Joanne, although I can see how you might make the mistake, coming back from the dead and all.
The tone did take on a negativity that I didn't like and when you make the decision to go the other way as we did it very directly had an impact, you can see it with the tracking.
As a writer I want everybody to get a chance to voice their opinions. If each character thinks that they're telling the truth, then it's valid. Then at the end of the film, I leave it up to the audience to decide who did the right thing.
Wasting time just going mindless, watching your charades. When you were younger, did it occur to you 10 years from then you'd act the same age?
When you're young, you don't care about your parents and what they're doing. But then you get to your 20s, and you start watching their movies. And then you become an actor, as I did late in college, and then you're really watching them. And they were really very good.
Matt?" "Yeah?" "You okay?" "Working on it." His voice sounded unusually tight. "I thought you said you did this a lot." "Yeah. I do. But apparently not with anyone I'm wildly attracted to." This caused certain reactions in her body that were best not experienced in mixed company. "It's just panties," she finally whispered. "And they're really great panties," Matt agreed. "But it's not the panties, Amy. It's you.
Yeah? Okay," she said, staring up into the stars. "Let's see. You know how, at the end of Romeo and Juliet, Juliet wakes up in the crypt and Romeo's already dead? He thought she was dead so he killed himself right next to her?" "Yeah. That was awesome." A pause, followed by "Ow," suggested elbow punctuation on the part of Mik. Karou ignored it. "Well, imagine if she woke up and he was still alive, but..." She swallowed, waiting out a tremor in her voice. "But he had killed her whole family. And burned her city. And killed and enslaved her people.
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