A Quote by Josh Lanyon
I know you've all heard the advice, "Show, don't tell." The best writers don't tell you, and quite frankly they don't just show you -- they make you feel it, live it, taste it, touch it. Storytelling is about being in the moment with the characters.
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Sometimes you can just tell there's something unique about it, but you can never really truly tell until you show it to a third party - you show it to you friends, or you show it to people you know that know about music like my label or those kinda people.
You may have heard about living today, tomorrow, or "tonow." Tonow, children tell us, is a gift, which is why we call it "the present." Children understand that tonow is the place to live. The present is really the only moment we have. Sure, bad things can happen in the tonow. But when bad things happen to children, they show us the way again, because they know how to be in touch with their feelings and needs.
I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.
I walk on a stage, and I know if it's been a good show or not. You know when it's been a good interview. No one has to tell you. You know it. You feel it. You can feel the air. You can feel everything about it when it's a good show. And you know when you've messed up.
I do think it's important for black writers to show that we too can make it into the mainstream. Growing up, I didn't just watch The Cosby Show, I watched Growing Pains and Family Ties too. We can tell those stories too.
Presenting the Oscars was the most nerve-racking job I have ever done in show business. It's very much a live show: they have comedy writers waiting in the wings, and as you come off between presentations, they hand you an appropriate gag to tell.
Most people say, "Show, don't tell," but I stand by Show and Tell, because when writers put their work out into the world, they're like kids bringing their broken unicorns and chewed-up teddy bears into class in the sad hope that someone else will love them as much as they do.
I think it's quite easy to get caught up in the discussions about a show that people are having. But you have to tell the story you were going to tell.
I like writers who can show me worlds I know nothing about, but my favorites are those who create characters or worlds which feel realistic and familiar to me, or who can make me feel inspired.
I think it gets really dangerous, though, to do it on the show. I think that the writers and producers are very much aware of that and the dangers of putting characters together and what that can mean for the show. You know, it's possible it could kill the thing that holds the show together, the chemistry, sexual tension between the two characters.
If I have a song that I feel is really one of my best songs, I like it to have a formal studio recording because I believe that something being officially released on a studio record gives it a certain authority that it doesn't quite have if it comes out on a live album or is just a part of your show, you know.
I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.
Certainly if it's something you created, like Gargoyles was for me... on the one hand it becomes you and the other writers as well. It's not like it's a one man band by any means, but at the same time when something's really working, when you've got a group of characters that really are clicking and humming, they begin to tell you what happens next. It just all begins to feel right and that was true about Gargoyles. Not true about every show I ever worked on, but it was definitely true about Gargoyles.
Writers, good ones, don't tell stories.
Characters show stories.
I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.
I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.
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