A Quote by Josh Lanyon
'What about stress? Are you using your stress-management techniques when things seem to be getting on top of you?' 'Nothing is getting on top of me.' As I said it, a totally inappropriate picture popped into my mind. 'What are you feeling?' Jake's breath warm against my face, my bruised lips tingling from his kisses. 'Tell me what it feels like with me inside you.'
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I leaned forward and kissed him. His eyes widened, then his lips parted and he kissed me back, mouth warm and firm against mine and that floating feeling washed over me and through me, and it was so amazing that when it ended, I just stayed there, my face so close to his I could feel his breath, see those incredible amber eyes, and that was all I could see, all I wanted to see.
He strips his shirt over his head and I catch my breath, watching those long hard muscles ripple. I know how his shoulders look, bunched, when he's on top of me, how his face gets tight with lust, as he eases inside me. "Who am I?" "Jericho" "Who are you?" He kicks off his boots, steps out of his pants. He's commando tonight. My breath whooshes out of me in a run-on word: "Whogivesafuck?
My mom's coming home soon," I said. "We should go to your place." Patch ran a hand across the shadow of stubble along his jaw. "I have rules about who I take there." I was getting really tired of that answer. "If you showed me, you'd have to kill me?" I guessed, fighting the urge to feel irritated. "Once I'm inside, I can never leave?" Patch studied me a moment. Then he reached into his pocket, twisted a key off his key chain, and slipped it into the front pocket of my pajama top. "Once you've gone inside, you have to keep coming back.
There's a feeling that feels like what I've been told is love. It has to do with what Louis Schwartzberg said today about beauty, love, whether it's squirrels outside my door, the rabbits, or the birds. They're not trying to impress me or anything, and me watching them isn't getting me or advancing me in anything. It's just beautiful. When I think of the relationship I'm in, there's a feeling that comes over me sometimes.
I was afraid. Of getting hurt in other ways. To be truthful, I still am." His thumb stroked her cheek. "I would never hurt you." "I don't think you can promise me that." She squeezed his bruised fingers. "But it makes things a bit more equal, to know that I can hurt you, too." His gaze fell to her lips. He said simply, without any trace of irony, "You are killing me.
You don't have to say it out loud. I already know why you like me.' 'You do, huh?' 'Yep.' He wrapped his arms around my waist, pulling me closer. 'So,' I said. 'Tell me' 'It's an animal attraction,' he said simply. 'Totally chemical.' 'Hmm,' I said. 'You could be right.' 'It doesn't matter, anyway, why you like me.' 'No?' 'Nope.' His hands were in my hair now, and I was leaning in, not able to totally make out his face, but his voice was clear, close to my ear. 'Just that you do.
Successful stress management heavily revolves around combating the building blocks of psychological stress - a feeling as if you have no control over the adversities in your life, a feeling that you have no predictive information about the stressors, if you lack outlets for the frustrations caused by the stressors, if you have no social support.
I can't stand when girls come to me and say they want to be a model, but they can't tell me who the top three photographers are in the world. They can't tell me who the top five biggest models are or name three cosmetics companies. They can't even name the top fashion magazines! You have to get it together and know your stuff.
You moved my head so that it was lying in your lap. "Keep your eyes open," you said. "Stay with me." I tried. It felt like I was using every muscle in my face. But I did it. I saw you from upside down, your lips above my eyes and your eyes above my lips. "Talk to me," you said. My throat felt like it was closing up, as if my skin had swollen, making my throat a lump of solid flesh. I gripped your hand. "Keep watching me, then," you said. "Keep listening.
There are no other factors that cause me stress when I get inside the Octagon. I guess that's an advantage of getting older.
There's nothing fun about stuff like estate planning, getting mammograms, or talking to a guy about long term disability insurance, but do it anyway. Trust me, the stress of not having done the above is prematurely aging.
An instructor once told me that when there's resistence in your body, it's only because of the resistence in your mind. It's about getting inside the pose. Being the breath.
I could kiss you forever," she murmured against his lips, sucking at the lower one, playing with the upper, his body weight a luscious pressure. "I love feeling you against me." "You say such things, Elena. You will make me your slave.
Once you start getting money, it relieves your stress of worrying about how you're going to pay your next bill. It's more like another stress of how many bills you have to pay.
Are you looking for me? I am in the next seat. My shoulder is against yours. you will not find me in the stupas, not in Indian shrine rooms, nor in synagogues, nor in cathedrals: not in masses, nor kirtans, not in legs winding around your own neck, nor in eating nothing but vegetables. When you really look for me, you will see me instantly - you will find me in the tiniest house of time. Kabir says: Student, tell me, what is God? He is the breath inside the breath.
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
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