A Quote by Josh Linkner

I admire mold-breakers. People that bust free from traditional thinking and change the game completely. Steve Jobs. Charlie Parker (jazz saxophonist). The Groupon guys. Seth Godin (author). People who dare to be different and end up creating something truly different and remarkable.
I don't play the traditional Charlie Parker songs. But I do improvise and I do create with my instrument, and that to me is jazz. But there are people who use the word 'jazz' only in a traditional sense, and they would be offended by that, and that's fine.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
Whenever I'm in Kansas City, I think back to all the jazz-blues greats who played the blues here - like Count Basie, Charlie Parker and Jay McShann. I watched those guys jam in different places and heard a lot of things - but I couldn't do what they did. They were too good.
Charlie Parker was the greatest individual musician that ever lived. Every instrument in the band tried to copy Charlie Parker, and in the history of jazz there had never been one man who influenced all the instruments.
I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
I think of myself as a jazz player, and my music as a natural extension of the jazz tradition. What I'm doing is completely free improvisation ('composing in real time') with nothing predetermined. I've had a lot of experience playing many different kinds of music and several different instruments, and since I tend not to waste anything, it all shows up somewhere in the music I'm playing now.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I grew up listening to Ravel, Debussy, Bartok and jazz like Charlie Parker, Dizzy Gillespie, Cannonball Adderley, Charlie Christian and Django Reinhart. It was incredibly inspiring! And I was given a guitar and I said 'What the hell is this?!'
[Ruslan Provodnikov] s a fantastic fighter but in terms of his style and Manny's [ Pacquiao] they are completely different and the preparations for each are completely different but that is no different for me because I am always fighting guys with different styles.
I think cool originates with the jazz culture in the '40s. There was probably cool before that, but that's when people started talking about cool - Miles Davis and Charlie Parker and a bunch of other early, cool jazz folk.
People standing up and saying, 'This isn't right,' is certainly a quality I admire in specific circumstances. There are people who do that and have a different set of politics, and then I don't necessarily agree with what they're doing and why they're doing it. But the act in and of itself of saying something is wrong and standing up for what they think is right is something I generally admire.
I think there are dozens or hundreds of different forms of creativity. Pondering science and math problems for years is different from improvising jazz. Something which seems to me remarkable is how unconscious the creative process is. You encounter a problem, but can't solve it.
There's a steady forward march of a creative process that some of us stay with and don't give up - that should be an admirable thing - from Louis Armstrong to Charlie Parker to Miles to Ornette and some people who are not even known today - some kids coming up - people who are out to change the world.
People aren't comfortable thinking of women as people. Like we're not people, we're women, and that means something completely different, especially when you have power.
Charlie Parker and Art Tatum to me were genius, and I'm right below that. I did, in my own way, do something different on the instrument, and that's the way I'd like to be remembered.
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