A Quote by Josh Malerman
I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.
Related Quotes
In researching literary agents I did what the books tell you to do: I looked at the acknowledgments page of a book that was similar to mine. Happily, that author thanked his agent. I looked up the agent on the web and found out that he not only represented authors writing books similar to mine, but I knew some of his clients! So, I sent in the manuscript, and they decided to represent it.
Before stand-up, I didn't even have an agent. Once I started doing stand-up - boom. I got an agent. In fact, I got three agents. I got a lawyer. Now I get taken seriously.
My agent sent me the script and I loved it. I wondered how they would turn me into a chimp. My agent said it would probably not entail to much time. Just some hair and make-up. I found out that it was not so simple.
As I got older, I'd say probably when I got to, like, seventh or eighth grade, I was living in Atlanta, Georgia at the time, and I went for an open call for an agent, a local agent out there, a woman named Joy Purvis, and she ended up picking me up.
I followed a girl I met in Japan to Los Angeles and ended up working in a motorcycle store. I quit the job one night, went to a party in the Hollywood Hills and ended up yelling at a bunch of people. Someone saw me yelling and asked me to be in a play. The first night, there was an agent in the audience who took me on and sent me out for jobs.
So I did 'Celebrity Big Brother' and while I was locked in a house with crazy people I came out and Denise had actually gone to my agency and got with my agent. And my agent told me, hes like, 'Yeah, I have Denise Richards. That's so exciting, right?' I go, 'So basically you hired my competition. That's amazing.'
When I was six years old, a children's agent moved in next door to us, sent me out on a commercial audition, and I got the job.
I think having a good agent is key. I've been with mine for ten years now, and she's very honest with me. There are a lot of times I've sent her books that were not so good because I was tired of writing, or panicked about money, and she's told me flat out, "You don't want this to be your next book. Trust me."
I have lunch with my friend who works for a theatrical agent and her and I were sitting there eating lunch on Sunset Boulevard and a woman who was a theatrical agent drove by and saw me and jumped out of the car and ran up and handed me her card. I had no idea this happens or would happen and I didn't know what to expect out of it. And my brother said alright you better call her and I said alright, why not? So that's pretty much how we got our first agent and then we started taking acting classes.
When we got down there were some agent provocateurs, if you've never heard of them, these are people sent in intentionally into a group to create chaos and dissension ... There were two we identified down there that were trying to foment violence on either side, trying to really create a confrontation. Any time this stuff happens there's going to be agent provocateurs come in.
I had the easiest publishing experience in the entire world. I sent out fifteen courier letters to agents, got five no replies, nine rejections and one I want to see it. A month later I had an agent. Another month later I had a three book deal with Little Brown.
When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'
A lot of student directors used to pick other students to be in their graduate films, so. I ended up doing a couple of them just for fun. Eventually, I got an agent through a friend and I did some commercials; then I got Knots Landing.
I finished my junior year of high school and flew out to Los Angeles. I didn't know the difference between a manager and an agent. But I got here and just started hustling and meeting anyone I could.
I arrived in Los Angeles on the Monday, had a call from my agent to say they wanted to see me for 'Dallas,' made an audition tape at my friend's house in L.A. the same day, and had the job the following Monday.
I'd knocked on doors when I'd gone to theater school in Los Angeles the summer of my junior year, trying to find an agent and submitting headshots, but nobody would see me, and I knew it was virtually impossible to get an audition if you didn't have an agent.
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