A Quote by Josh Malerman
It's refreshing, if you ask me, to have lengthy conversations with clear, brilliant minds about books, art, and what ought to happen next and how. I love it.
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'Mamma Mia' and 'Dallas' have proved to me that the things you dream about can happen. I don't ask myself, 'How did I get here?' but instead, 'I deserve to be here. I was right to think this would happen.' I'm a firm believer in the power we have in our minds to want something and pursue it in a sane and focused way.
We ought to arrange calendars as we arrange art on our walls and ask: how does this task fit next to the surrounding ones?
The art of injudicious reading, the art of miscellaneous reading which every normal man ought to cultivate, is a very fine and satisfactory art; for the best guide to books is a book itself. It clasps hands with a thousand other books.
One of the best side effects about working on 'Billions' that I did not anticipate were the number of conversations I had about gender identity with my fellow actors and also members of the crew. From the person holding the boom to the person wiring my microphone, just how many conversations I had with so many open minds and hearts.
I do not remember any questions in my childhood other than questions about death and about loss, and it was clear that the books that filled the house were not as interesting as the conversations outside.
It's really important to me to follow the kinds of conversations that happen around diversity and representation and writing inclusive books.
Sometimes kids ask how I've been able to write so many books. The answer is simple: one word at a time. Which is another good lesson, I think. You don't have to do everything at once. You don't have to know how every story is going to end. You just have to take that next step, look for that next idea, write that next word.
The people who know me do not ask me about the next book or how it's going. They ask, 'Jason, are you sleeping?' because they know my brain will not shut down.
I love bookshelves, and stacks of books, spines, typography, and the feel of pages between my fingertips. I love bookmarks, and old bindings, and stars in margins next to beautiful passages. I love exuberant underlinings that recall to me a swoon of language-love from a long-ago reading, something I hoped to remember. I love book plates, and inscriptions in gifts from loved ones, I love author signatures, and I love books sitting around reminding me of them, being present in my life, being. I love books.
God's Word does not say, "Call unto me, and you will thereby be trained into the happy art of knowing how to be denied. Ask, and you will learn sweet patience by getting nothing." Far from it. But it is definite, clear and positive: "Ask, and it shall be given unto you."
I love art that haunts me, that stays with me, that is left embedded in my mind. I don't really think there is any use for owning or collecting art; it is more about remembering and preserving it in the minds eye and allowing it into your cultural DNA.
In real life we don't know what's going to happen next. So how can you be that way on a stage? Being alive to the possibility of not knowing exactly how everything is going to happen next - if you can find places to have that happen onstage, it can resonate with an experience of living.
That's the one thing that I love about Twitter. There's no rule that says it's a discussion. So I love when I tweet something and somebody wants to have a conversation with me. I'm like, "Oh no, I don't use Twitter for conversations. I just say what I want to say so you can ask me a question but I'm not answering it."
Art to me is not precious enough that I feel territorial about what the word gets applied to. Conversations about what counts as art and what doesn't doesn't captivate my attention very much.
I began to ask two questions while I was reading a book that excited me: not only what was going to happen next, but how is this done? How is it that these words on the page make me feel the way I'm feeling? This is the line of inquiry that I think happens in a child's mind, without him even knowing he has aspirations as a writer.
Ask not of me, love, what is love?
Ask what is good of God above;
Ask of the great sun what is light;
Ask what is darkness of the night;
Ask sin of what may be forgiven;
Ask what is happiness of heaven;
Ask what is folly of the crowd;
Ask what is fashion of the shroud;
Ask what is sweetness of thy kiss;
Ask of thyself what beauty is.
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