A Quote by Josh O'Connor

When I left drama school I was prepped to be in shows and tour around England by van. — © Josh O'Connor
When I left drama school I was prepped to be in shows and tour around England by van.
In drama school, they do these big shows and period dramas, and I felt that none of those shows were representing me as a person, and I knew I wouldn't be cast in any of those when I left school. I decided to write my own one-woman show, and that was called 'Chewing Gum Dreams.'
I had been working in England since 2005 when I left drama school.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I had a brilliant drama teacher while I was at Roland Park: Ann Mainolfi. But the school was mostly rich in academics. It wasn't like I was prepping myself for a life in acting. There, you prepped yourself to have a stable future. The school's piece de resistance is college prep - it didn't teach you how to audition for a TV show.
There is a lot of hype about drama school, I think. If you're an actor in England, that's just the way to get into it but I've been so incredibly lucky in that I was brought up in to it. I still might go to drama school, if I wanted to do theater work, definitely. It's a completely different type of training.
I went to drama college in England - the Central School of Speech and Drama, in London. I was there for not quite two years, then I got Star Wars.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
Perhaps because I never left England and went to America - I think the public sort of appreciated that. I visited and I did some shows over there, but I never had any ambitions to settle over there. I could never have left England.
The Hillary team is driving around in a van. Sometimes people get those gag bumper stickers put on their van. Hillary has one on her van, and it says, 'If this van's rockin', I'm deleting emails.'
When I left school, all I wanted was to buy a van.
I pretty much live on my tour bus.I do well around 300 shows a year. A lot of times I will do two shows a night.
I'm a big fan of unflinching drama and bold drama. If you shy away from dark subject matters, there's only certain places for TV drama to go. If there are shows that can break through that and be brave, those are the shows that I personally enjoy watching. I try and do work that I would watch.
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
When I left school I went to Australia for a year and worked in the drama department of a school in Perth.
Growing up, I played in different bands and did a lot of self-booked touring and traveling around, and my sister was driving us on tour, and we're playing for nobody and literally begging my friends that I went to high school with to buy tickets to our shows.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
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