A Quote by Josh O'Connor
You have to stop yourself midway through a scene and be like, 'I'm acting with Olivia Colman!'
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The thing that attracted me the most was comedy acting and people like Catherine Tate and Olivia Colman; people doing funny voices and accents.
I watch everything with Olivia Colman in.
Working with Olivia Colman has probably been the highlight of my career so far.
Theratre is not like like in film and TV, where you have to stop and go back and keep redoing the same three pages for two hours. You get to go through the whole 80 pages of the script, which is incredible. You get to keep acting on the feelings you had just moments before. You don't have to psych yourself up for the scene. You can just go off what you were already feeling.
It is not easy acting and directing yourself because you have to face the camera as well as look at the scene through the lens.
As far as people I'd like to work with, the list is endless. I think to work with Steve McQueen would be amazing, and then some of the U.K. talent we have: Eddie Marsan, Olivia Colman, both of whom I have met and admired for a long time. We're very blessed in this country; there is so much talent for people to work with and learn from.
A childhood favourite that has stayed with me over the years is Kate Winslet. She's an amazing British actress who always delivers no matter what role she's in. Another actress I've found incredibly inspiring is Olivia Colman.
The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer.
You can do a whole scene in acting without ever checking in to what the other guy is saying - it's not going to come off great, but you can get through the scene - whereas in improv, that's gonna be impossible.
And I remember walking in and there was this long, long table with everyone's name cards. I got there really early. The name card on my left said, 'Gillian Anderson,' and to my right was 'Josh O'Connor,' then opposite me was 'Olivia Colman.' I think I must have a picture on my phone of the table because my mind was just blown.
There are a few pretty fundamental differences. In voice acting, if you are doing game recording, for the most part you are going to be by yourself in a studio. With game voice acting you are constructing everything for yourself pretty much. You're thinking about what the other characters could be doing, trying to imagine the scene, you're constructing the entire environment for yourself.
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
I love acting. Modeling is fun, too, but I feel like there is more room to stretch yourself and open yourself up to new experiences with acting. That's why I got into acting in the first place.
One of the hardest things to do in acting is to stop thinking about yourself and stop being self-conscious.
When the scene is over, a lot of people cut. The actors are acting. And they just stop acting. But I think that leaving people in that moment and seeing where else it can go and pushing them to take it further, a lot of special things can happen.
Acting with creatures that aren't there is kind like acting with an actor who refuses to come out of his trailer. You still have to go on and do the scene.
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