A Quote by Josh O'Connor
As an actor, I always have this thing where I can't plan ahead for holidays or a break because I don't know when I might be needed for the next job.
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When an actor is in the moment, he or she is engaged in listening for the next right thing creatively. When a painter is painting, he or she may begin with a plan, but that plan is soon surrendered to the painting's own plan. This is often expressed as 'The brush takes the next stroke.' In dance, in composition, in sculpture, the experience is the same: we are more the conduit than the creator of what we express
I went to the store to buy a race car for my son's birthday, and the next thing I know I was working part time for the holidays. Then in February 2002, I started working on a plan to purchase the store.
I feel like being an actor it is a great way to do your job and be a parent, because you have a lot of freedom. You have a job and then the job ends and than maybe you don't have another job for a while or maybe you chose not have another job for a while. For an actor, it's like maybe you don't see your kid for two weeks while you are filming but then you might have three months off where you are at home every day and picking him up from school. I find it's a great thing.
When I was growing up, you were supposed to marry and therefore didn't plan ahead. Planning ahead is one of the few reliable measures of class in the sense that rich people plan for generations forward and poor people plan for Saturday night, and by that measure, women have been lower class. We were less likely to plan ahead because we're more likely to think that who we marry and our children are going to dictate our plans.
If you aspire to be an actor, go ahead. But do have a backup plan because you can't predict your future in the industry.
As an actor, there's always that fear. You don't know where the next job's coming from, so you say, 'I'll do that, I'll do that, I'll do that'. Your choices are not always clearly thought out, and you can end up taking mis-steps.
I break people's faces. I break their arms. I break their legs. That's a part of the sport. That's my job. That's the job of the opponent who's trying to do the same thing to me.
I was studying chemistry, and this is a physically hard job because you are in the laboratory, you work hard, and you come home in the late afternoon or in the evening and you always needed a break.
I started treating my career as if it was a guarantee,if things get difficult and things don't work out, I'm not gonna think I have a Plan B, which is grad school, or Plan C, which is an office job. I'm just gonna have a Plan A, a Plan A 2.0, a Plan A 3.0, and that's what I'm going to do. Because entertainment and YouTube are always going to be my Plan A.
Why don't we all just go crazy when we know were going to croak? Because the mind's a monkey. You put things in departments and you go ahead. You go on and plan for the future and assume that the future's going to work out okay. Yet we know that sooner or later we're all going to be eating worms, whether it's fifty years or sixty. It might be tomorrow. It might happen today.
I don't know so much about making it, because I think of myself as a working actor who's always got my eye on what's going to be the next job. I've been acting for 22 years, and I think there's something to be said for simply staying in the game.
Never forget that every living thing has a particular and needed job to do in the universal Plan and Purpose.
My family was always very supportive. Whether you're an actor or not, everybody hears the horror stories of people going to L.A. and trying to be an actor, and their dreams are crushed, and they end up working for the IRS. So they were always protective to the point that they wanted me to have a backup plan, which is understandable, but there was always something inside of me that knew: backup plan, schmackup plan.
I always know I'm going to lose my job. It's either going to be canceled next week or next year or nine years from now, but I always know my job is going to go.
I definitely consider myself a Method actor, because of my training. I might dispute what people consider a Method actor to be. For my money, a Method actor is an actor who has a technique. That has a method. And not one method, but whatever might be required. So a Method actor is always learning.
There is nothing like a concrete life plan to weigh you down. Because if you always have one eye on some future goal, you stop paying attention the the job at hand, miss opportunities that might arise, and stay fixedly on one path, even when a better, newer course might have opened up.
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