A Quote by Josh Pais

I could've shot the whole East Village, because it was and is my neighborhood. But Seventh Street is precious to me. — © Josh Pais
I could've shot the whole East Village, because it was and is my neighborhood. But Seventh Street is precious to me.
One thing I had on my side when it came to How to Make It in America is that I'm a born-and-raised New Yorker. Filming in New York... I'm so thankful and humbled by the whole experience. A lot of it takes place in old neighborhood; I'm an East Village kid, so I get to see my old friends from the neighborhood, my family still lives there.
When I moved to the East Village in the late seventies, I wanted to be a street performer, so I practiced daily. I never did work up the skills or the courage to perform on the street, though.
I lived in a house in the East Bronx, a totally Jewish neighborhood on East 172nd Street. You didn't see Christians much, although one lived next door. We thought they were kind of a minority.
I rode with four street-clothes cops in the East Village. I spent six weeks riding with them every day - in street clothes, with a vest underneath.
I grew up in the East Village, in Alphabet City, when it was a very dangerous neighborhood. To survive there, I had to learn to be a little bit invisible.
My father's house was on East 55th Street on 1st and 2nd Avenues. I'm fifth-generation Marino in the East 50s - I live on 57th Street. I can't be more East 50s.
If you have an all-white neighborhood you don't call it a segregated neighborhood. But you call an all-black neighborhood a segregated neighborhood. And why? Because the segregated neighborhood is the one that's controlled by the ou - from the outside by others, but a separate neighborhood is a neighborhood that is independent, it's equal, it can do - it can stand on its own two feet, such as the neighborhood. It's an independent, free neighborhood, free community.
During the session of the Supreme Court, in the village of -, about three weeks ago, when a number of people were collected in the principal street of the village, I observed a young man riding up and down the street, as I supposed, in a violent passion.
I was born in Owerri and grew up in the east of Nigeria, in Imo state. You could say I was a 'street boy': we grew up on the street, played on the street, did everything out on the street. It was a difficult life altogether, but that's how we grew up.
I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of mind.
...I discovered that I could take a risk and survive. I could march in Philadelphia. I could go out in the street and be gay evenin a dress or a skirt without getting shot. Each victory gave me courage for the next one.
I think the Lower East Side inspires me. That whole neighborhood, a lot of the people that I worked with, seeing what we've gone through in life, being given an opportunity to understand who I am; my identity, my culture, and my roots.
Alfriston is a compact village set around a rather traffic-weary High Street, mainly of old, timbered buildings. The principal sights lie to the east on the river side.
Such poverty as we have today in all our great cities degrades the poor, and infects with its degradation the whole neighborhood in which they live. And whatever can degrade a neighborhood can degrade a country and a continent and finally the whole civilized world, which is only a large neighborhood.
These are such First World problems, but there's a certain claustrophobia to New York. You don't escape in the East Village, but it at least feels full of camaraderie and youth - or full of camaraderie and youth in an East Village that is as full of Chase banks and Starbucks as the Upper West Side, or anywhere else in Manhattan.
I'd spent my first 12 years in New York in an East Village walk-up. The upstairs neighbor was the cowboy from the Village People.
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