A Quote by Josh Rosen

Starting off, I was pretty arrogant. They handed an 18-year-old the keys to a D1 FBS-contending university. I blew up a little bit, said some things I didn't mean, and that follows you. You get one chance to make a first impression. I made the wrong one.
Coming from the South, I just felt you had to work just a little bit harder. It was not going to be handed to you. I’d get the letters from all the major schools but no one came out to talk to me face to face until this small, dominant black school, Mississippi State Valley University sent a coach out to me. I had a chance to talk to him and he said, ‘Hey Jerry, we’re going to be doing some great things at Mississippi Valley State University and we would love to have you there.’
You only get one chance to make the first impression. And I made the biggest first impression ever by throwing the Big Show over the top rope.
I'd say a little over a year ago I started doing TM and that's really changed everything. Starting your day off with that and ending with that is pretty powerful. Twenty minutes, you just notice the difference. When I get lazy and don't get it in, I can feel a difference. I do it first thing when I wake up.
I did a lot of commercials starting in about '75, yeah. Well, not 'a lot'; I never was a big old commercial gal, but I made a good living. I didn't immediately make 'a living' at commercials; the first year I made maybe a living was about '80. I had a great year in '85. I had a nice little supplement.
I studied journalism at university, and I started a little bit of work on a woman's magazine called Minx that was aimed at 18- to 24-year-olds.
Rock and roll was a good way to, to first recognize the, the confluence of white artists with it but also to kind of pretty it up a little bit, clean it up a little bit, make it more acceptable to, to people.
Listen, children: Your father is dead. From his old coats I'll make you little jackets; I'll make you little trousers From his old pants. There'll be in his pockets Things he used to put there, Keys and pennies Covered with tobacco; Dan shall have the pennies To save in his bank; Anne shall have the keys To make a pretty noise with. Life must go on, Though good men die; Anne, eat your breakfast; Dan, take your medicine; Life must go on; I forget just why.
I lived on my own when I was living in New York City when I was 18, working on a show. And that definitely kind of grows you up a little faster than a normal 18-year-old in college, so I think so. I think I've got some street smarts.
It is wrong to take an 18-year-old boy or girl and arm them with machine guns and make them the almighty king of some little Arab village. No young man, and no old man either, should have so much power over the life and death of so many helpless individuals. It is corrupting. It sometimes provokes desperate, savage and indiscriminate violence among the occupied.
Take any person, put them in the wrong environment, and they can get off to some pretty bad things. Warren Buffett has said that he would not like to get into debt because he doesn't want to discover what behavior he's capable of.
There's this terrific kid in Maine who saw all the waste generated by straws handed out in restaurants. So he made up these little pop-up cards and asked restaurant owners put them on the tables to explain why straws wouldn't be handed out unless requested. Of course, the restaurant owners couldn't resist a 9-year-old kid, and so it worked.
Before I got to Juilliard I remember that I had learned the first few bars to all the Sachse etudes in several different keys because I knew what was coming. So in the first year he was throwing these Sachse etudes at me and I would knock off the first eight bars and fly right through it. He would say, 'Alright, that's good enough.' But, in my third year, he said 'Get out the Sachse book.' I couldn't understand why. So I pull it out and he said, 'Here, start in the middle.' I was in trouble! He said, 'Hey Balm, I took you for a guy who knows how to transpose-you're nothing but a bugler!'
Cuisine Nouvelle was just a concept, and one which, crucially, the English managed to get wrong. I mean, if you run a restaurant, you've got to feed people, not make pretty little pictures on plates to make up for your lack of ability.
The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.
I told my friend - we were working on a movie together - and he gave me a script and asked me to give him notes. And they were all male characters, and I said, "You know what would make this character more interesting?" And he asked what - and it's this road trip between three guys, basically, one older man, one 30-year-old and a 13-year-old mechanic. And I said, "If you make the 13-year-old a girl, and you make her an Indian-American mechanic." And he said, "What do you mean?" And I said, "Yeah, don't change anything in the script about him, and just make it a her."
He shook me, and despite it being one-handed, it made my teeth rattle. “If anything like that ever happens again. You. Leave. Me. Behind. Do you understand?” I would have argued, but I was feeling a little shocky for some reason. “I’m not good at abandoning people,” I finally said. A front-desk person scurried over, first-aid kit in hand, but Pritkin snarled at the poor guy and he quickly backed up a step. “Then get good at it!” He stomped off, limping, one shoulder hanging at an odd angle. “You’re welcome,” I murmured.
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