A Quote by Josh Ryan Evans

My size is an asset to me. People write roles for me. If I was just another blond-haired, brown-eyed, 18-year-old actor, I'd be left unrecognized. People remember me. — © Josh Ryan Evans
My size is an asset to me. People write roles for me. If I was just another blond-haired, brown-eyed, 18-year-old actor, I'd be left unrecognized. People remember me.
People thought me a bit strange at first; a blond haired, blue-eyed Norwegian who sang Mexican folk songs, but I used it to my advantage and got a job. And so the music became my ticket to education.
Obviously, when I first came to the land of blond-haired, blue-eyed surfer types, I was the sardonic, sarcastic, liquor-swilling, chain-smoking, dark-haired, dark-eyed guy from New York.
Escape plan #5: Open an alpaca ranch in Texas, one that requires all blond-haired, brown-eyed, brainy girls to wear sexy cowgirl outfits.
I consider myself almost a Californian at this point, because I've been here long enough. Obviously, when I first came to the land of blond-haired, blue-eyed surfer types, I was the sardonic, sarcastic, liquor-swilling, chain-smoking, dark-haired, dark-eyed guy from New York.
With my first single, 'AM to PM,' I was just this cute 18-year-old. But 'cute' didn't get me older roles, and 'cute' wasn't selling records. I wanted people to see that I'd grown up, so I did 'Dip It Low.'
We typically make movies that are geared towards 18-year-olds. The people who pay and go to movies more than two or three times are usually under 22, so I get how it works. I don't really want 18-year-old boys to find me that attractive, that kind of would creep me out at this stage.
There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
In Bosnia, the case was there were white, blond-haired, blue-eyed Muslims who were being slaughtered and identified as Muslims. That really touched me.
It took me 10 years to prove myself but now my day has come. People take me seriously, write roles for me and consider me for 'hero' roles, which I deserve.
I remember all the older guys, when I started playing, telling me how fast it all goes by. I remember being an 18-year-old and going, 'Whoa, this is the NHL. And it just flies right by, so just enjoy every day.'
Most people remember being 4 objectively, as if they're seeing a movie of a 4-year-old. But me, if you ask me to think about when I'm 4, I can feel myself being 4, and I am there, looking out through my 4-year-old eyes.
When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.
The 18-year-old me wouldn't understand the 43-year-old me because then I wanted to travel and see the world. But I love being home.
It's weird, but I don't feel like think I deserve any of the attention. There's really nothing but one audition for a Disney Channel movie that separates me from 2,000 other brown-haired, blue-eyed guys in L.A., you know?
I gazed around the room and my eyes stopped dead on a little boy standing in the corner. This was a particularly eerie doll. Life-sized and blond-haired and blue-eyed. I saw a little Nazi boy, pockets probably stuffed with scissors and retractable blades. My grandfather on my mother's side was rumored to be half Jewish, which practically makes me Jerry Seinfeld's brother, and thus wary of blond German boys with their hands out of sight.
I think my experience as an actor helps me to write anything. It certainly helped me to write 'August Osage County.' It helps me to write any play that I'm working on because I think one of the things I do well is write good roles for actors.
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