A Quote by Josh Ryan Evans
I always knew I wanted to be a character in the movies. When I was growing up, I had to have a lot of surgery, and I spent a lot of time recovering at home and in the hospital. Watching movies took me away from my own problems and gave me a total escape.
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I didn't watch a lot of American television growing up. I just liked to read a lot and watch movies - movies, movies, and more movies. My family used to make fun of me because I'd like every movie I saw.
I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.
I loved movies. They inspired me more than anything growing up and wanted to do for others what those movies have done for me. I do a lot of other creative stuff but am not very good at it.
I got up and saw my face in the mirror and saw the horror. When they did the surgery on me, they took out 67 glass pieces. There were a lot of movies that I had lined up for myself during that time, and I had to let it go. I didn't want people to know because, at that time, people were not that supportive.
I've had enormous luck and enormous pleasure in working in such forms as movies and plays that I loved when I was a kid and I just - because I could always write dialogue, because I always had a sense of how people spoke. And because I had a strong narrative sense; growing up and loving stories, loving novels, I just seem to know how to tell a story and I read a lot, I went to a lot of movies, I went to a lot of plays, and it rubbed off on me. And that's all. It just rubbed off on me.
Daddy was a salesman and away a lot, always working. My mom took me to the movies on Thursday nights because it was dish night, when they gave you a free dish along with your movie ticket.
I feel like I grew up being babysat by a television, and all I ever wanted to do was be in movies, direct movies, make movies, but it took me a really long time to be honest with myself about it because my background is that my family was very poor.
I always had this thing, when I was younger especially, I didn't want to do movies that much. I found they took a lot out of you and they were exhausting for me in a lot of ways.
I've been obsessed with making movies since I was 15. I watched a lot of movies when I was young, and I decided that I wanted to do that because I was a passionate kid about watching movies.
I spent a lot of - too much of - my childhood watching movies and thinking about movies.
I've always had a thing for old movies, old Hollywood. I've always just loved watching Marilyn Monroe and Greta Garbo. In all of those old movies from the '40s and '50s, women put themselves together so well, with a little bit of drama and elegance. That was fascinating to me growing up.
I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.
Spending a lot of time away from home was strange. My parents visited me, obviously, but I was in hospital a lot, alone. And then when my health had improved a bit and I was in a sick-bed in the house, with the life of the house going on around me, that was very vivid for me. I always think that's a bit like the position of a novelist in a novel, going through drafts: there but not there, one remove from reality.
I'd never studied film. I had movies that I loved and movie stars that I looked up to, but I really had not seen a lot of the great classic films that he felt like he wanted me to see before I took on such a huge role.
I had been emotionally affected by the story [of Steven King], on my own, and I knew how I wanted to feel watching it because I had felt it already reading it. God bless them, Bad Robot hired me to develop it and I spent the next six months in a room, alone, with a lot of index cards up on a wall, like the guy in A Beautiful Mind.
The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
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