A Quote by Josh Schwartz

Year Two is a critical year for any television show. — © Josh Schwartz
Year Two is a critical year for any television show.
The Chinese tell time by 'The Year of the Horse' or 'The Year of the Dragon.' I tell time by 'The Year of the Back' and 'The Year of the Elbow.' This year it's 'The Year of the Ulnar Nerve.' Someone once asked me if I had any physical incapacities of my own. 'Sure I do,' I said. 'One big one - Jim Palmer.'
I feel that this is my first year, that next year is an election year, that the third year is the mid point, and that the fourth year is the last chance I'll have to make a record since the last two years; I'll be a candidate again. Everything I do in those last two years will be posturing for the election. But right now I don't have to do that.
But MTV relishes its vestigial role as a star maker, so every year it puts all its clout into making the VMAs the biggest, splashiest, loudest show-biz extravaganza of the year, honoring all this music for existing, after a year of paying barely any attention to it.
Every year is a new year, and when you look at the turnover year to year, teams that made the playoffs last year aren't a guarantee to make the playoffs this year.
I usually do one con a year as a GoH and try to make the World Fantasy Convention for business purposes. Last year I went to a worldcon for the first time in two decades. I may go again this year.
I feel lucky to receive such critical attention and praise when you're in a show that's going to last a month, it's just easier when audiences are more receptive. I've done two new shows this year, so I'm always excited to work on something a little older, traditional and structured.
The childbearing year is a thirteen month year: the two months before conception, the nine months of pregnancy, and the two months following the birth. The childbearing is a time of adjustments and fierce emotions. The childbearing year touches every season.
Our television transmitters leak out from the Earth. And actually, there's a sphere surrounding the Earth from the earliest television signals, maybe 70 years ago, that's going out one light year per year. But it's really weak.
I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.
The money's always been on the table. We could have took that money any time we wanted - every year, two, three times a year we've had offers, all the way down the line.
Everyone wants something that'll appeal to, like, 13-year-olds to 18-year-olds. Especially working in television and trying to pitch shows, they're like, 'We definitely want something that a 14-year-old will be, like, super-psyched about.' And I'm like, 'I don't know if my reality is appealing to a 14-year-old.'
Tom Cruise only makes one or two film appearances a year. A baseball player can be the hero or the goat one-hundred and sixty-two times a year.
My progression into acting was pretty slow. I was constantly performing in different kinds of small shows. One year I would be in a magic show, the next year in a circus show, then a small play, and then a dance show.
I'm gonna make sure everybody get their justice. This the year for business, this the year for my book, this the year for the movie and this the year for getting even. I'm on my way.
The truth is, anybody that becomes famous is an ass for a year and a half. You've got to give them a year and a half, two years. They are getting so much smoke blown, and their whole world gets so turned upside down, their responses become distorted. I give everybody a year or two to pull it together because, when it first happens, I know how it is.
Like any year, any year with any team, you're always going to look to the draft to help strengthen your roster and free agency.
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