A Quote by Josh Schwartz

I'd started working when I was 21 and had been very determined about my career, very focused, even as a little kid, so it was something I had been working at for a long time.
I have had a very singular kind of life since I started working so young, so I am very used to traveling, working, taking time for myself.
I think the biggest lesson that I take from 'Avatar' on any set that I go to is just work ethic. Working with Jim Cameron, you're used to working very, very long days and you're very meticulous about details. He's very, very picky about little details, little character-isms and things.
It's been very nice. I haven't gotten out too much because we've been working a lot but other wise the people have been very nice and I've had a good time.
I've been working for a long time and I've just really been allowed to work, with very little of the baggage and the pressures that can come with my job.
I've been working really hard in this business for a very long time and I've had my share of ups and downs - and to be honest, most of them have been downs. It's a motivation point.
Had my dad not been short and fat and balding, there's no doubt his career would have been very different. But he could do lots of stuff and made a very good career out of it. He had an incredible work ethic because he lost his father when he was very young, and the family had to pull together.
As a chef, I had started working with groups like Share Our Strength and various local food banks in New York, raising money for hunger-related issues. And not only me, but the entire restaurant industry has been very focused on this issue.
My England career had been very up and down - I had been involved in some squads, and not in others, so it had been very patchy.
I was interested in virtual reality for several years even before working at USC, it wasn't an interest that started there at all. In fact, when I started working at USC, I already had prototypes of the Rift that were very similar to the final design.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
What was happening was only the working-out of a process that had started years ago. The first step had been a secret, involuntary thought, the second had been the opening of the diary. He had moved from thoughts to words, and now from words to actions. The last step was something that would happen in the Ministry of Love. He had accepted it. The end was contained in the beginning.
Obviously filming and working has consistently been a part of my life. I've never had a huge break of time when I wasn't working on something or promoting something.
Always staying focused is something that's been very tough for me. I'm still working on it.
I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours.
I'm 44 now and have been working in comics for most of my adult life. I've been blessed to have had the career that I've had and worked with the many awesome creators I have.
I was fired from my own television show, CBS's Family Law. It was the second time this had happened in my career, the first being when I was fired from The Facts of Life. I had been grateful to work in TV for so long but had always been chasing a career as a feature writer-director and had completely failed.
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