A Quote by Josh Segarra

I didn't grow up listening to musicals. I sang coritos or Spanish spiritual songs and was raised on gospel singer Kirk Franklin. — © Josh Segarra
I didn't grow up listening to musicals. I sang coritos or Spanish spiritual songs and was raised on gospel singer Kirk Franklin.
I grew up listening to popular music. My father was a Peruvian folk singer. He played the guitar at home. He sang songs with a waltzing rhythm, yet you can still hear the Spanish influences. I accompanied him to his performances.
I grew up listening to Commission, Kirk Franklin and Hezekiah Walker. If I was found listening to any rap, my pops would throw them out, or crush the CDs and tapes - literally.
Gospel music was the thing that inspired me as a child growing up on a cotton farm, where work was drudgery and it was so hard that when I was in the field I sang all the time. Usually gospel songs because they lifted me up above that black dirt.
Luther Vandross was a musician who sang. So after a while he was also the number one background singer in New York, so he would sing for Bette Midler, he sang on "Fame," he sang for David Bowie, he sang for - whoever needed backgrounds, he would arrange the parts and hook your record up. He also sang on commercials. McDonald's, Budweiser.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
I was known as a ballad singer who sang melodramatic heavily produced ballads. I'm not known as a mid-tempo singer who does fun songs. I'm not going to do a song like 'Dancing on the Ceiling.'
I grew up in the church not being able to listen to anything but gospel. So, while [other] people grew up with their parents listening to Marvin Gaye and Aretha Franklin, I never knew they existed until I was able to listen to what I wanted to.
I sung from an early age and I was always given nice parts in school musicals, but I definitely wasn't the golden girl. I didn't have the guts. You've got to have a real confidence in yourself to be like: "I'm gonna be a singer and write songs." I never thought it would go anywhere because it's so unattainable to be a singer.
When you're doing the traditional musicals, singing songs that are 40 and 50 years old, you realize there's a reason why those musicals are hits. These are amazing songs!
I've been getting into different gospel artists; Aretha Franklin is someone I've been listening to a lot of.
I played piano growing up. I played classical piano since I was 5, and I sang in choirs, and I sang in plays and musicals.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I love listening to pop songs in Spanish and Italian.
I remember really getting into 'The Wiz' and an old musical called 'Purlie,' which Melba Moore sang. I liked those roof-raising shows because I connected deeply with the gospel aspects of those musicals.
Even though I am very tied to and close to my heritage, I learned Spanish in college; I didn't grow up with it. Growing up in South Texas is different from Miami or L.A. where it is a necessity to speak Spanish.
On piano, I tend to write either gospel or singer-songwriter songs, sometimes kind of rocking blues songs. But the more heavier rock stuff I will write on bass.
This site uses cookies to ensure you get the best experience. More info...
Got it!