A Quote by Josh Stewart
Luckily, with 'The Collector' the first time around, it really took off in the DVD world and foreign, so it was just a pleasant surprise that a couple of years later there we were, doing it again.
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When I first started making music, I didn't really know what I was doing. I just wanted to write songs. I didn't have a concept. I didn't think it through. I was just flailing around doing what comes naturally. It took me a really long time to step back and deal with what I was doing with any kind of perspective or self-awareness.
'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.
I just had....my Farmer's Insurance Chevrolet was the fasted car here. In the first run. We were going forward, just taking our time. Regan Smith was pretty slow. I was under him for a couple of laps. When my spotter cleared me in the center, I just took off, and he was there on exit. It is disappointing to have that good of a car and be out this early. Everybody at Hendrick Motorsports is doing such an awesome job. I've had awesome race cars, and I have nothing to show for it.
I was just sort of young and went with the flow. It wasn't like I was 6 and knew I wanted to be an actor. I was thinking more along the lines of, I'm 6. When I was 20 I realized, I've never really thought about what I want to do. So I took a bunch of time off, stopped answering my phone, stopped doing anything. I'm pretty sure this is what I want to do, but I needed to be sure. It took me about two years to come around.
There was a period of time when I first moved to Nashville, like the first couple of years, that I was just simply lost. I didn't know who I was; I didn't know really what I was doing here. I was meant to be a singer, but I just felt lost. That's when I went on the search for my birth family.
New York, it was an adult portion. It was an adult dose. So it took a couple of trips to get into it. You just go in the first time and you get your ass kicked and you take off. As soon as it heals up, you come back and you try it again. Eventually, you fall right in love with it.
I still miss the players and I miss the game and the strategy. The first couple years were really difficult. Now I realize I'll never coach again. It's still hard to go into the stadium on a game day, because it's hard to just be a fan. But it's easier now than it was the first two or three years.
When I did my first few television specials, my illusions were so advanced that it took a couple of years before the other illusionists could even figure out what I was doing, let alone try to imitate me.
The fact is that in my prep school, I went to a boarding school, 39 young men graduated from that prep school. Five years later, a quarter of us were in SDS, in Students for Democratic Society. Not because we were particularly chosen or because we were as I say, we were lucky but we were mainly luckily to grow up at a time where this black freedom movement was really defining the moral character of what it meant to be a citizen and a person.
The world really changed after 9/11, not just in the tragic way, but in every way. So it took me a couple of years to even understand how my art form I could process any of this. When the world changed, eliciting laughter with subjects that were funny to me before 9/11 just didnt seem good enough.
When I first began doing TV pilots, my expectations were high. I didn't understand that world. So when 'Weeds' took off, I was so happy. Especially as I was just a guest star in the pilot. But once it got picked up, they made me a regular cast member.
I was never really comfortable doing comedy. Though it was good the first couple of years, there were problems, and it became a stifling experience. I was happy it ended.
I like the idea of sitting in a theater with a bunch of people. With technology now, people are getting more and more isolated. I like the community coming around the story. You don't have that with a DVD. People go home, they're tired from work, they can turn it off. It doesn't make you commit the same way, if you can control the movie. More difficult movies, it's too easy to turn them off. All the time, I see movies I know if I had seen it on DVD, I wouldn't have hung with it. If you see it on the screen, you hang with it and it pays off better than a movie you can easily sit through on DVD.
I think Diana Vreeland recognized the passion and the energy I had. I stayed at Harper's Bazaar for two years, until I met my first husband and moved on to Philadelphia in 1952. But they were incredible years - wonderful, wonderful years. But, anyway, my career sort of took off from there. I was really blessed.
Just because you have kids doesn't mean to say you need time off. I have a lot of time off anyway. If I'm promoting my book, like, for the next two weeks, I'm flat out. But then I'm off again. And when you've got the next product, it's the same; you just condense it into a couple of weeks.
I'm very good at having time off. I tend to take whole years off - I had 1994 and 1997 off. I find it very easy; I just love pottering around doing normal things.
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