A Quote by Josh Thomas

Sitcom storylines are usually incredibly contrived. — © Josh Thomas
Sitcom storylines are usually incredibly contrived.
My country has contrived for me the most insignificant office that ever the invention of man contrived or his imagination conceived.
If you're not inspired and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived and I don't like to write music that's contrived.
Sitcoms are incredibly limiting. When you do a sitcom and it becomes a signature part for you, it's harder to do something else; but if you do a drama, you can get lost in it and have a role to do other things.
What makes 'Derek' a different kind of sitcom - if it is even a sitcom - is its sincerity.
I didn't want to have to follow 'Everybody Loves Raymond' with another sitcom. Let it be my sitcom legacy, and leave it at that.
I wouldn't consider myself a traditional sitcom actor or someone you'd even think would be in a sitcom.
Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
'Caroline In The City' was such an interesting thing, because I'd never been on the set of a sitcom or even auditioned for a sitcom when they gave me that part.
In 2010, I was the star of a sitcom. It came and went pretty fast. But in the months from when I was cast in the sitcom through when it was done airing, my life did change remarkably.
I just wanted to keep consistent and keep true to America and not seem contrived. I didn't want to seem contrived at all with any song choice that might be a detriment to my journey on 'The Voice.'
I never wanted to do a regular sitcom, because I'd be incredibly bored doing the same character week in, week out. But the beauty of 'The Simpsons' is that it's 15, 16, 17 characters. It's the variety that keeps it interesting. And hey, they're all my children.
You can tell if there's magic in something. When you start it, you want to finish it and you want it to be perfect. If you're not inspired, and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived, and I don't like to write music that's contrived.
Every comic is taught that you're supposed to have a great seven-minute set and then get a sitcom. And I don't want to get the sitcom.
I always try to use my medium, and if I get into a normal sitcom-writing contest with normal sitcom writers, I'm going to lose.
The film is better for me than the sitcom. But the sitcom is like much more practical approach, if I may say that, because of the cost. Everything costs money, a lot of people don't realize that.
Of course it's contrived, but once you know how its contrived, you can understand the editorial viewpoint. CNN, for example, when you see where they're really coming from, you can subtract their bias, and get some sort of facts. Sometimes the amount of bias that is imposed in these things is so laughable that it gives you an extra layer of entertainment.
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