A Quote by Josh Tillman

There's a lot of risk in putting what you suspect you really are into your music. — © Josh Tillman
There's a lot of risk in putting what you suspect you really are into your music.
The music business is suffering because fewer artists are being invested in. Labels are putting in less money, taking fewer risks and signing half as many artists as they did 10 years ago. Everything is risk averse right now and there are two ways to deal with a business situation like this: either reduce your risk or increase your return. They're reducing their risk to the bone and looking for ways with their 360 deals to increase their return. They're still not making money. Artists are suffering. Labels, or music investors, are suffering.
I'm from the school of putting a lot of hours of practice into playing. But at the same time you have to write original music - that's really important, because that's the things that's going to separate you from everybody else, that's going to give you your unique voice as a music that you create.
I just really thought about it and decided I'm not happy. I'm not happy at all. And I think it's really madness to risk your body, risk your well-being and risk your happiness for money.
A lot of Utah State when I was there, there was a lot of California guys. So, you get a lot of Cali music, you got a lot of dance music, I think the Jerk was popular back then. It was a lot of the music that you can dance to with your teammates. A lot of hip-hop, rap, R&B, it was really fun. It was live in there.
Writing fiction means putting a lot of what you believe about the world at risk, because you have to follow your characters.
To laugh is to risk appearing a fool. To weep is to risk appearing sentimental. To reach out to another is to risk involvement. To expose feelings is to risk exposing your true self. To place your ideas and dreams before a crowd is to risk their loss. To love is to risk not being loved in return. To hope is to risk pain. To try is to risk failure. But risks must be taken, because the greatest hazard in life is to risk nothing.
I've been writing music since 4th grade, and I love putting words together and expressing things in a way that you can move your head to and you can really relate to, because I have a lot to say.
I'm a risk-taker because I don't have a lot of experience in putting up a business before - I didn't really learn about this in school - but I still choose to do it, especially since I'm now getting good advice from people around me.
You have to invest something [in your work]. If you don't risk something that really matters to you - like your integrity, or your pride, or your time, or your security, or your reputation - if you don't risk yourself, you can hear it right away.
I'm a firm believer that embracing the imperfections of making music is so much of what makes something groove. Getting rid of these imperfections runs the risk of removing a lot of the magic that makes this music really special, and diminishes music's ability to connect with us as human beings. We are all imperfect, after all.
If your DNA profile puts you at a higher risk of developing obesity, that doesn't mean it's your fate. You can take control of the environmental side of the equation and reduce your overall lifetime risk by a lot.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting someone through.
Everything is a risk in Pakistan: If you defend women, it's a risk. If you defend non-Muslims it's a risk. If you discuss religion, it's a risk. But you can't really sit there like a vegetable in your own society. And I'm committed to that society... and I feel I need to turn around and speak as I should.
The risk of working with people you don't respect; the risk of working for a company whose values are incosistent with your own; the risk of compromising what's important; the risk of doing something that fails to express-or even contradicts--who you are. And then there is the most dangerous risk of all--the risk of spending your life not doing what you want on the bet that you can buy yourself the freedom to do it later.
Putting your well-being first - like putting your oxygen mask on before you help the person next to you - that really benefits all your relationships.
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