A Quote by Josh Widdicombe
I wasn't into making classmates laugh - or any of the comedy cliches. I wanted to disappear. I was a nonentity. I wasn't too clever but I wasn't in the bottom group. I wasn't loud but I wasn't quiet. I wasn't a bully and I wasn't bullied.
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I wasn't the classic comedy type; I wasn't bullied or extrovert. I was more the ambitious literary one who wanted to write clever little plays.
I was a bully in fifth and sixth grade. I wasn't one of the bullies - I wasn't strong or dominant enough to be one of the kids who bullied everyone in equal measure. I was a bully, in that I bullied a kid, whose name I won't mention here. My bullying was selective and personal.
I always knew I wanted to do comedy. I like making people laugh. I started out young just making my family laugh and trying to make kids laugh in school and getting into plays. I think it's the only thing I know how to do so hopefully it works out.
My parents always got a kick out of my art. I was always able to make them laugh. As I got older, I remember the thrill I got when I graduated from making my classmates laugh to making adults laugh. Kind of a watershed moment.
I went to a mixed school and I can't remember being bullied at school, ever. I was quite large, in those days. Usually, if you're going to be a bully, you'll pick on someone who is small. I didn't bully anybody, and I don't remember being bullied.
If all you have is satire, your show will close. Even if all you have is comedy, your show will close. The hardest thing is not making people laugh: the hardest thing is building an emotional story. Any child can make a group of adults laugh.
I love comedy. There's just something so great about making people laugh. And for me, too, whenever I laugh, it just makes me feel so much better just watching a great comedy.
I got bullied so much at 11 and 12 that I became the bully. I didn't want to get bullied no more. And that just carried on through my life.
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking among themselves, and celebrating a reunion.
If I ever see another Shakespeare production where somebody drives a Jeep on stage, I'm going to run screaming up the aisle. These tend to be matters of design. I mean, we're seeing a lot of - it's very common to see Shakespeare with automatic weapons, things like that. They are clichés. They're new clichés, but they are clichés. And they're provincial. It's not clever to do Henry V, and have everybody dressed in United Nations soldier's costumes anymore. I've seen that one too. That kind of thing irritates me.
I've stopped doing things that aren't clear comedy gigs - to do something that's not "comedy night," it's a difficult thing. People have to be given permission to laugh. You need to know it's comedy; otherwise you might just think I'm a man talking out loud.
My philosophy is, it's always very rewarding when you can make an audience laugh. I don't mind making fun of myself. I like self-deprecating comedy. But I'd like you to laugh with me occasionally, too.
A lot of thought goes into making people laugh. Comedy is never easy. Making people cry is easier than making them laugh.
When all the archetypes burst out shamelessly, we plumb the depths of Homeric profundity. Two clichés make us laugh but a hundred clichés moves us because we sense dimly that the clichés are talking among themselves, celebrating a reunion. . . . Just as the extreme of pain meets sensual pleasure, and the extreme of perversion borders on mystical energy, so too the extreme of banality allows us to catch a glimpse of the Sublime.
What is comedy? Comedy is the art of making people laugh without making them puke.
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