A Quote by Joshua Bell
Music plays a huge role in the movie. The music in Star Wars, I can't imagine what the movie would have been like without it. It made the film.
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'Rogue One' does not feel like a 'Star Wars' movie. There are no scrolling yellow letters. There is no classic John Williams score. It feels like a movie of a different type set in the 'Star Wars' universe, a movie where there is no magic to save you. It is not a movie for children.
When I start a film, I can sort of shut my eyes, sit somewhere quiet and imagine the movie finished. I can imagine the camera angles, I can even imagine the type of music. Without knowing the tune, I can imagine the type of music it needs to be.
I'd say for a film composer, 'Star Wars' is kind of like the holy grail of film music. It's probably the best film music ever written.
My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.
It was a different job in that, because it's a 'Star Wars' movie and I'm a droid in a 'Star Wars' movie, people have a reverence for those characters that have come before me.
Sometimes it takes time to become part of the collective unconscious, just like 'Fanboys' did. Going into that movie, I said to myself that if you were a 'Star Wars' fan, you were going to love that movie. It's an homage to everything science-fiction, but especially 'Star Wars.'
In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.
I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.
The music business is rougher than the movie business. In film you get noticed in a small role, even in a movie that bombs. But in records you better have that hit or else it's 'See you later.'
I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
My agent called me up and said, 'There is a tremendous female lead in the new 'Star Wars' film, and I think you're really going to like it.' The opportunity to play someone determined, who's trying to find her skills as a leader; to be in a fantasy movie; to be able to do a leading female role in a film of that scale - that's very, very rare.
Star Wars - the movie I saw 12 times as a 17-year-old. The movie that began a cultural and creative universe that now spans generations. For me to be a part of this in The Clone Wars is a dream come true.
The movie I've seen the most times, boy, that's a tough one. It would have to be a toss-up between Apocalypse Now and the first Star Wars. I think the first Star Wars.
It may never happen, but I'd love to make a movie and not be rushed or concerned about shooting too much film. Probably a fantasy, but it would be nice. It would also be cool to fill a movie with all my favorite songs, but music is so damn expensive. We can't all be Cameron Crowe.
Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.
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