A Quote by Joshua Bell
The symphonies are the things that, as a soloist, I've not gotten to play. I used to travel the world playing concertos, and then I would sit and listen to the symphony.
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In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.
When a new record came out, the world would stop that day, and we would sit in somebody's house - whoever had the best stereo system - and sit in the middle of the two speakers and listen and discuss and listen again and go over the album notes and get out the guitar and start playing it and discuss and play some more.
I've been playing music all my life, from being a choir soloist at Symphony Hall as a youngster to playing in bands through high school and college at Kent State. Went in the service at 17, out before I was 21.
When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.
In my younger days, I used to visit record shops and covet boxed sets of Beethoven symphonies, Wagner operas, Bach cantatas, Mozart piano concertos. Only rarely was I able to find the money for such luxuries.
If I were to run around the world playing just the cello concertos - and believe me, I love playing them - I would be counting my entire repertoire from year to year on my two hands.
I grew up playing golf, and if I were ever good enough to play professionally, I would get to travel the world while playing a sport I love.
Listen, I could have won the World Championship. Obviously if I had the chance to do it all again I would do things differently. But then would I have still wanted to play?
I'm too busy playing. When I'm playing I don't pay attention to who's listening. When I was listening I listened to symphony orchestras, Beethoven, Bach, Brahms, Stravinsky. You don't listen to one instrument; you listen to music.
I have been told that a young would-be composer wrote to Mozart asking advice about how to compose a symphony. Mozart responded that a symphony was a complex and demanding form and it would be better to start with something simpler. The young man protested, 'But, Herr Mozart, you wrote symphonies when you were younger than I am now.' Mozart replied, 'I never asked how.
He dreamed of amassing musicians from all over the world in Woodstock and they would sit in a field in a circle and play and play. It didn't matter what key or tempo or what melody, they would keep on playing through their discordance until they found a common language.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
I've always been into music. I used to DJ. I used to mix reggae and that. I used to be into reggae hard. Well first it was rap, then reggae, then rap again, then rap and reggae. But I was always DJing out my window for the whole estate. Everyone used to sit outside and all and listen. And I used to be running rhythms in that.
Growing up, I played every sport I could play, so I didn't have much time, but when I wasn't playing sports, I was definitely playing video games. But my mom used to tell me that I could only play video games for two hours a day and then they would turn off the Internet so I couldn't play online.
I started playing instruments. Writing didn't come until later. I didn't know how to play a keyboard but I'd listen to hits off the radio, learn them, then my hands would be ready to play.
I'm in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.
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