A Quote by Joshua Bell

I always have loved the Stradivarius. My teacher, Josef Gingold, he had a Stradivarius. As a treat, he would put it under my chin and let me play a few notes, and I remember that feeling of the overtones, the complexity of the sound. It's like a great wine.
If you have a Stradivarius and nobody to play it, it's just a Stradivarius. Or is it even that? It's nothing.
My teacher, Josef Gingold, a student of the French school, always loved the music of Saint-Saens and Henri Vieuxtemps and all the French repertoire.
I inherited a painting and a violin which turned out to be a Rembrandt and a Stradivarius. Unfortunately, Rembrandt made lousy violins and Stradivarius was a terrible painter.
The beauty of a Stradivarius is that you can play in Carnegie Hall without any amplification, and it has this - the sound has, inside it, has something that projects, and it has multifaceted sound, something that kind of gets lost when you use amplification anyway.
Stradivarius, in particular, was the most amazing craftsman and one of the great artists and scientists that ever lived because he figured out something with the sound and the science of acoustics that we still don't understand it completely.
To me, the original VCS3 synthesizer is like a Stradivarius.
The trick to playing second fiddle is to play it like second Stradivarius.
Even when my mum used to edit the paper she would come home, put us to bed and then go back to the office. She must have been exhausted. She worked on Sunday papers so I always had her on Mondays. I loved Mondays! She would always be waiting for me outside school. I remember feeling very loved.
I have always stood in awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
I myself have always stood in the awe of the camera. I recognize it for the instrument it is, part Stradivarius, part scalpel.
Watching your daughter being collected by her date feels like handing over a million dollar Stradivarius to a gorilla.
Onstage I like to play with a an 18-inch speaker, which very few bass players do. I need that fat, underneath sound, which I've always had. It suits me admirably to do it like that, and I can imitate that sound by plugging directly into the board in the studio.
I would try to promote something that I loved, and the entire interview would be about my personal life. I would leave a room feeling defeated, feeling embarrassed, but I would always make sure to put that smile on my face because I wasn't going to let them get to me.
Synths are a very low level of artificial intelligence. Whereas you have a Stradivarius that will live for a thousand years.
I remember as a sixth grader, my best friend and I had a big crush on our teacher. She was super cute. So we made little plays, and one of us would play our teacher, and one of us would play everyone else.
If I'd loved my chemistry teacher and my maths teacher, goodness knows what direction my life might have gone in. I remember there was a primary school teacher who really woke me up to the joys of school for about one year when I was ten. He made me interested in things I would otherwise not have been interested in - because he was a brilliant teacher. He was instrumental in making me think learning was quite exciting.
This site uses cookies to ensure you get the best experience. More info...
Got it!