A Quote by Joshua Ferris

I can't trace thematic similarities between Then We Came To The End and The Unnamed to a life event; I think it's more just a natural progression as a writer. Everything changes in the second book - tonally, character-wise, situationally - and on top of that, I think I wanted a challenge. I wanted to see if I could do it.
I think with my book, I wanted to first of all just be completely involved in it. I wanted to write it; I didn't want a ghost writer. I wanted to be honest about everything.
I think I just wanted to work when I finally came to Hollywood. That's what it was. I wanted to get a job, and then I wanted to get the second one.
I think it's just the challenge. It's not that all my life I've wanted to do characters [in Marvel] , because I never particularly thought about it, but the challenge of saying, "How could they be done differently that may be more absorbing or more effective?"
he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.
I don't choose something unless I think I have a personal understanding and something I can offer. It's not always thematic. I wanted to do 'The Grinch' because I wanted to direct Jim Carrey creating that kind of comic fantasy character live. I just thought that would be a mind-blowing experience, and it creatively was.
I think sometimes when people get older they start to limit themselves and think that if they wanted to start singing or they wanted to start playing guitar or if they wanted to, I don't know...become an archeologist - whatever it is, they think they just can't do it anymore because they've hit a certain age and I just think that's like putting yourself in jail. I realised a couple of years ago that the more that I did and made things and created things that I could love; it helped me to realise that I was actually loving myself and what came out of me.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
I was very similar at 19. I wanted something to happen in life, I wanted a bit more. I wanted to find someone who could challenge my ideas. So I definitely tapped into that.
I don't think I've changed very much. I think I'm the same kid that I was when I got here. When I came here all I wanted to do was win games. I wanted to play baseball for LSU and be the ultimate team player. That's all I want to do. If we don't end up being the last team to win the game at the end of the year then I won't be happy. That's all I'm worried about this year.
While I was growing up, I believed I could do anything I could think of. So the challenge was always to keep thinking - to get to where I wanted to be and then to think of somewhere else to go.
He began to trace a pattern on the table with the nail of his thumb. "She kept saying she wanted to keep things exactly the way they were, and that she wished she could stop everything from changing. She got really nervous, like, talking about the future. She once told me that she could see herself now, and she could also see the kind of life she wanted to have - kids, husband, suburbs, you know - but she couldn't figure out how to get from point A to point B.
We wanted to establish a new fan base over here. And second, we wanted to challenge ourselves. We wanted to bring what is ostensibly new music to fresh ears and see what lights them up.
Do you know what's one mistake we always make? Believing that life's immutable, that once you get on a particular track you have to follow it to the end of the line. But it appears that fate has more imagination than we do. Just when you think you're in a situation you can't escape from, when you've reached the lowest depths of total desperation, everything changes as fast as a gust of wind, everything's overturned; from one second to the next you find you're living a new life.
Once I got started, I wanted the life of a writer so fiercely that nothing could stop me. I wanted the intensity, the sense of aliveness that came from writing fiction. I'm still that way. My life is worth living when I've completed a good paragraph.
So in the drafting process, whenever I would discover something about what my character wanted or didn't want, I immediately just wanted my character to admit to that so I could get to the next, more interesting level in the story.
This site uses cookies to ensure you get the best experience. More info...
Got it!