A Quote by Joshua Foer
We reserve the term 'genius' for people who are creative, who are innovators, who think in ways that are entirely new. In the Middle Ages, the term 'genius' was reserved for people with the best memories. That is telling.
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There must be understanding between the artist and the people. In the best ages of art that has always been the case. Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius — and I count myself among these — have to restore the lost connection once more.
The term 'genius' is inapplicable to anyone in this game. A genius is Norman Einstein.
Genius is its own reward; for the best that one is, one must necessarily be for oneself. . . . Further, genius consists in the working of the free intellect., and as a consequence the productions of genius serve no useful purpose. The work of genius may be music, philosophy, painting, or poetry; it is nothing for use or profit. To be useless and unprofitable is one of the characteristics of genius; it is their patent of nobility.
I think a lot of great software has been written by people who are scratching a short-term itch, something which has been niggling them for ages, but in the back of their mind they’ve got a wonderful long-term plan.
Universality is the distinguishing mark of genius. There is no such thing as a special genius, a genius for mathematics, or for music, or even for chess, but only a universal genius. The genius is a man who knows everything without having learned it.
The term 'new queer cinema' and the films of mine that were associated with that term are from a very, very different time, one almost entirely defined by the AIDS era. It was a very different social and cultural regard for the lives, the experiences, the worth of gay people.
Talent warms-up the given (as they say in cookery) and makes it apparent; genius brings something new. But our time lets talent pass for genius. They want to abolish the genius, deify the genius, and let talent forge ahead.
We should reserve the notion of 'morality' for the ways in which we can affect one another's experience for better or worse. Some people use the term 'morality' differently, of course, but I think we have a scientific responsibility to focus the conversation so as to make it most useful.
Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius - and I count myself among these - have to restore the lost connection once more.
The most important thing that a company can do in the midst of this economic turmoil is to not lose sight of the long-term perspective. Don't confuse the short-term crises with the long-term trends. Amidst all of these short-term change are some fundamental structural transformations happening in the economy, and the best way to stay in business is to not allow the short-term distractions to cause you to ignore what is happening in the long term.
An art form requires genius. People of genius are always troublemakers, meaning they start from scratch, demolish accepted norms, and rebuild a new world.
Unless you invest in people, you are not going to see growth in the long term, the medium term, and maybe even the short term.
The only term I won't accept is "genius."
I want people to think I'm a creative genius.
I am an innovator. This is a term of distinction, a term of honor, rather than something to hide or apologize for. Anyone who
has new or valuable ideas to offer stands outside the intellectual status quo. But the status quo is not a stream, let alone a 'mainstream'.
It is a stagnant swamp. It is the innovators who carry mankind forward.
Society cannot contribute anything to the breeding and growing of ingenious men. A creative genius cannot be trained. There are no schools for creativeness. A genius is precisely a man who defies all schools and rules, who deviates from the traditional roads of routine and opens up new paths through land inaccessible before. A genius is always a teacher, never a pupil; he is always self-made.
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