A Quote by Joshua Henry

I avoided the party scene at the University of Miami. I came in to study musical theater, and I felt so behind. I literally knew nothing. — © Joshua Henry
I avoided the party scene at the University of Miami. I came in to study musical theater, and I felt so behind. I literally knew nothing.
I did a lot of children's theater in Miami Shores. My base musical theater training happened there.
When it came time to go to university, I wanted to study cinema studies and theater and not necessarily do a fine arts degree.
I was recruited by a number of schools including Miami University, University of Kentucky, University of Cincinnati, Indiana university, West Virginia University as well as others.
I went to Elon University and studied musical theater. I usually did two musicals a year, but I also did a couple of plays. That was sort of always where I felt the most relaxation.
I went to university in the north of England at University of Birmingham to do an English literature degree, and I knew I could do extracurricular stuff with theater and drama. I started a theater company, called Article 19, and I did it with a bunch of friends. I wrote and directed plays. I had a radio show.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
Coming from the University of Miami, I developed really good study habits.
I went to the University of Minnesota to study art. I left the university to come to New York and live in Soho. I got involved with like a small kind of like experimental theater-mime company and we discovered that Étienne Decroux, a great mime, was still teaching in Paris so I went to study with him for several years.
I came to NYU to study experimental theater. Shortly thereafter, I was featured in a 'Newsweek' article about the emerging downtown club scene, and, well, that was it for NYU. I was off and running.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
My mom is an avid musical theatergoer. My dad would always get a subscription to the Syracuse Stage. I was always exposed to theater. So I went to a theater conservatory at Boston University.
My background is musical theater. I have a BFA from the University of Florida.
John Lewis is such a remarkable human being. Literally, such a beautiful human being. I remember the first time I met him. We were in the middle of a scene and [Selma director] Ava DuVernay calls, "Cut," and then he literally just came in. He just came walking in.I just froze. I can't explain the feeling. Seeing somebody who was literally a living hero. He was a hero.
I don't want to be lofty, but it was groundbreaking, in many ways, for musical theater, so that was really thrilling to be part of The Book of Mormon . And Girls felt very much the same way - there was an excitement about it as we were doing it; I knew it was something special.
I knew I wanted to pursue a career in the theater the minute I graduated from college having not pursued it! So I went back to school and got a degree in music and began working in musical theater.
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