A Quote by Joshua Henry
I remember when I was rehearsing 'Scottsboro Boys,' I was in 'American Idiot,' so, every night, I was screaming, singing these high, belty Cs and Ds, and then, during the day, I would be doing these legato lines - I am very lucky that I have had the training that I have so that I could handle all of that.
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I'd guess that every American action film would be different. It's just training, training hard, training a lot. Then trying to give your best performance on the day, and I've been lucky so far.
I was interested in theatre, and the only experience that I had in high school was as an actor. But when I got in Conservatoire, my teachers would give me a lot of flack because I wasn't rehearsing my lines; I'd be doing stage management. I was interested in sound. I was interested in architecture. I was interested in every aspect of theatre.
I live on a boat two months out of the year, and if I did not have that then I don't know how I'd be able to handle all this.... I am a very intense person on stage. I have to remember why I am there, what I am doing. You can spend all day backstage preparing for the show and lose sight of why you are doing this. Off stage, I am a very simple kind of guy. I live my life in flip-flops.
I was nervous about doing 'Scottsboro Boys' because I'm not a trained dancer, and there is a lot of very athletic dancing involved.
I wake up in the night screaming sometimes when I've had a fight with my husband, more than with the company. I still sleep very well. I take it day by day. I am a very pragmatic person. That's how I survive.
Every spring I hear the thrush singing in the glowing woods he is only passing through. His voice is deep, then he lifts it until it seems to fall from the sky. I am thrilled. I am grateful. Then, by the end of morning, he's gone, nothing but silence out of the tree where he rested for a night. And this I find acceptable. Not enough is a poor life. But too much is, well, too much. Imagine Verdi or Mahler every day, all day. It would exhaust anyone.
A lot of the musicians asked me if when I hit my high-Cs on the records I had a clarinet take the notes. Some [thought] I had invented some kind of gadget so I could play high register. They weren't satisfied until they handed me a trumpet that they had with them and had me swing it. Then they cheered.
I love being in the gym and am training six days a week; I do a lot of high-intensity interval training so that my heart rate gets really high, and I practice, as I'm doing that, taking really deep breaths, and that really helps in a song and in a style of music where you have to sing long, flowing lines.
During my university years, I was doing a lot of theatre acting. I would be skipping school for rehearsal. We were rehearsing at night - we finished at midnight, and I had to go to school at 8 A.M. It was very tiring.
When I was managing Boyzone and Westlife there were screaming girls every night. If there wasn't a high-piched screaming, it was a bad gig. I got used to it.
With stage, it's very tough. You have to have a lot of stamina - you're doing eight shows a week for 19 weeks. The same thing, every night. Twice a day some days. The only full day I actually had off was Sunday. And every night is different.
I don't have any ambitions as an actor. I felt very uncomfortable doing it. The first take every day I'd open my mouth and no words would come out. I'd do a couple of takes and eventually I could run the lines.
I started out doing improvised voices when I started working in a program where I read for kids in schools. I had some kids and they asked me if I would mind doing it. I was very happy to do it. Thats where I got my training before I went to the public. I did that for several years. It was actually the best vocal training I could have had.
I started out doing improvised voices when I started working in a program where I read for kids in schools. I had some kids and they asked me if I would mind doing it. I was very happy to do it. That's where I got my training before I went to the public. I did that for several years. It was actually the best vocal training I could have had.
My favorite advice that I always go to is ever since I was in middle school is from my mom. Every day before I left the house, she would say "Remember who you are." Every day. So when I started getting into music, every day she sends me a text saying, "Remember who you are and remember why you're doing this."
I remember, when I was a little kid, I was good at sports, and I could jump off the high board. And then puberty hit, and suddenly I was looking to boys for direction. I remember that as a great loss.
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