A Quote by Joshua Homme
After all, nothing helps to write lyrics more than to mess around with the language.
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I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.
Comedians take a neat situation and turn it into a mess. And in my books I do the same thing, but it's the other way around. I like to mess around with mess. A mess is only a mess because someone tells you it is.
I don't mess around with the men in the coven, especially my Shadowblades," she said with quiet finality. Flirting was one thing but anything more, it was a mistake of epic proportions. His eyes narrowed and he gave a slow shake of his head. "That is all right then. Because I want so much more than just to mess around.
Because I write the music, I write the lyrics, I write the vocal melody lines - I write everything. Just because I let somebody sing something doesn't mean they're more important than the bass player or the keyboard player or the drummer.
One thing I always tell players is that there are three bad things: Nothing good happens after midnight, nothing good happens when you're around guns unless you're going hunting, and you don't want to mess around with women that you don't know because a lot of times, bad things happen.
I wrote out the lyrics that I would do at MAMA 4~5 days in advance. After I said that, Zico hyung told me that it's dangerous to write lyrics quickly like that and that I should be carefully.
When you're younger and a little more innocent, you write whatever [lyrics] comes naturally. But as you get used to writing you try to steer the sound and music to different music and throwing in the "kitchen sink" of sorts into the music. With that way, you end up putting in much more than before and you could even make much more next time around.
![Steve "Lips" Kudlow](/assets/images/photos/avatars/steve-"lips"-kudlow.webp)
It's funny, I write lyrics in a bizarre way - I'm always writing lyrics, mostly when we're traveling or walking around New York, that's when I'm writing most of the stuff.
I don't feel any kind of a responsibility (other than to myself) to write "weighty" lyrics. In fact I sometimes wish I could learn to write in a simpler form, to be more direct and I'm going to be experimenting with this.
I like to write in fairly everyday language - I've always tried to write lyrics that, if people would speak the words, it wouldn't sound like a song.
I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.
When I create lyrics, I just go off of energy. Sometimes I write down my lyrics on my phone and most times I remember the lyrics in my head.
I always say the wrestlers provide the music and the announcers write the lyrics. You have to feel what you're seeing and experiencing to write the best lyrics.
In real life, nothing would be more tedious than trailing around after two strangers as they went house-hunting in Hertfordshire. But for some reason, television is more compelling than real life.
Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.
I set myself a rule before I actually write a tune to the lyrics, and the rule is that I've got to take the lyrics on to a level of understanding before I can actually write music to them. What I'm doing is interpretation. If I don't write the lyrics, therefore I must interpret them to the best of my ability. So my rule is that I must understand it, but I don't necessarily have to accept.
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