A Quote by Joshua Kimmich

You can lose confidence when you're not in the rhythm. — © Joshua Kimmich
You can lose confidence when you're not in the rhythm.
To me, if the writing doesn't have rhythm, it feels dead. I lose all confidence. The music has to emerge to feel confident enough to move on to the next major chapter.
What I learned about stammering was that, when as a young child you lose the confidence of anyone who wants to listen to you, you lose confidence in your voice and the right to speech. And a lot of the therapy was saying, 'You have a right to be heard.'
I never lose confidence. As soon as you lose confidence, you're done.
You must not lose confidence in God because you lost confidence in your pastor. If our confidence in God had to depend upon our confidence in any human person, we would be on shifting sand.
I had the trade minister in China sit down as we were preparing for trade negotiations. He said, 'Please don't let people in the United States lose their confidence because when you lose your confidence, the rest of the world suffers'.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
We've learned that musical ability is actually not one ability but a set of abilities, a dozen or more. Through brain damage, you can lose one component and not necessarily lose the others. You can lose rhythm and retain pitch, for example, that kind of thing.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
You can lose money, and you can lose all sorts of things, but you can't lose your self-confidence.
To lose confidence in one’s body is to lose confidence in oneself.
I'm not that type of fighter that fights one or two times a year. Staying out makes you lose focus, lose rhythm. I have to fight.
Seeing the ball go in during the game, getting to your spots, getting spot-up shots. You have that rhythm and you have that confidence in yourself. And everybody else has that confidence in you too, more importantly.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
Injuries made people lose confidence in me, but I never lost confidence in myself.
If you are physically ready to play, it's a matter of confidence. Your confidence goes down when you lose games, when shots are not going in.
You lose a game and you lose confidence and we get that back through hard work.
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