A Quote by Joshua Kimmich
As a young boy, I had gone to a Bayern match with my father. I had never seen such a big stadium before, and it was overwhelming. Everything was so big, so loud.
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I was eleven when my father left, so neither of us really knew our fathers. I’d met mine of course, but then I only knew my dad as a child knows a parent, as a sort of crude outline filled in with one or two colors. I’d never seen my father scared or cry. I’d never heard him admit to any wrongdoing. I have no idea what he dreamed of. And once I’d seen a smile pinned to one cheek and darkness to the other when my mum had yelled at him. Now he was gone, and I was left with just an impression—one of male warmth, big arms, and loud laughter.
Big train from Memphis, now it's gone gone gone, gone gone gone. Like no one before, he let out a roar, and I just had to tag along.
The idea of going to the movies made Hugo remember something Father had once told him about going to the movies when he was just a boy, when the movies were new. Hugo's father had stepped into a dark room, and on a white screen he had seen a rocket fly right into the eye of the man in the moon. Father said he had never experienced anything like it. It had been like seeing his dreams in the middle of the day.
I became a big boy without ever meaning to, or planning to and I had to play by the big-boy rules.
When I was 18 years old, I had never before seen Australian film on the big screen.
United are more popular around the world. There is a difference and I can see that. Bayern Munich is a big club but United are bigger. When we [Bayern] were in China people knew us but Bayern were not so big in America.
It looks like things are changing in north London. Tottenham have gone down a road they've never been down before. They've kept their best players and pushed young English ones through. They've started to match Arsenal - who were light years ahead - by building a new stadium.
I'm quite an independent person, and I had to be. As a boy and growing into a young man I had to look out for myself. And now I'm very family-oriented. It's a big priority in my life.
I'm most inspired by people who are doing what they love in a big, loud way. And big and loud doesn't always have to be big and loud. Sometimes these people can appear as a quiet storm, but in their full expression everyone feels the impact.
My father loved to complain about big business and big government, but we had a solid middle class upbringing. We had good public schools. We had accessible health care. We had our little, you know, one-family house that, you know, he saved up his money, didn't believe in mortgages.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
The boy, who did everything well and with a natural unslumped grace the wraith himself had always lacked, and whom the wraith had been so terribly eager to see and hear and let him (the son) know he was seen and heard, the son had become a steadily more and more hidden boy, toward the wraith's life's end; and no one else in the wraith and the boy's nuclear family would see or acknowledge this, the fact that the graceful and marvelous boy was disappearing, right before their eyes. They looked but did not see his invisibility.
I was one of those kids who had never seen an indie film before I got to college. If it wasn't a big, huge tentpole movie, or if it wasn't on the radio, I hadn't experienced it.
I grew up knowing a lot about LSU watching them on TV. They were always on TVI had a bunch of friends and family at LSU. It's a cool stadium. I never got to go to it. I heard it's really a special place. It's a big place. It's intimidating. It's loud. We have to play really good there. I'm looking forward to playing there.
I was really proud to be in that show. I will never forget. I got the script to 'Millie,' and I'm flipping through the script and saying, 'Boy, I have some lines... I have a big song.' I was 25 years old and had never been on Broadway before. I got to the end of the script, and I was really nervous and excited. I realized I had a lot to do.
I grew up in New Jersey in the '80s. That means one thing: Big hair. ... I had big hair, my boyfriends had big hair, we all had big hair. Our prom looked like the poodle division of the Westminster dog show.
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