A Quote by Joshua Leonard
Even in the realest American cinema that I see, there's still not that sense that this is reality. There's still that sense that you are watching a movie. And hopefully, if we did get our jobs right, that sense disappears when you watch this movie.
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All actors have to believe that our characters have a point that makes sense. Hopefully, they make sense to the crowd watching it, but at least he has to make sense in his own mind, in his own universe.
Italy is still very much the same place it was 2,000 years ago. Italians are still the same .. there's a sense of beauty and a sense of dignity and a sense of living life to the full that infects everyone.
We call our intuition our sixth sense, but in reality it would be called our first sense, because it's rooted in quantum nature of reality. It was around long before our solar system and our planetary system were even formulated or even organized. It is at the basis of how our normal sensing works. So instead of being our sixth sense or even â€" using the parapsychological term â€" "extrasensory perception," it's not. It's at the basis of our perception, and that's the quantum world.
I think, probably, the place that I feel I most belong is a movie set. It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement. So I guess acting was a way of finding a home, if that makes sense.
I always watch rushes. They give me a sense of whether I'm going in the right direction. You work hard and hopefully get encouragement from what you see.
Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
It's like, sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality.
My greatest sense comes from the experience of performing in the movie. When I have a great experience, that becomes a perfect movie. If it makes a nickel, it's still perfect. The same is true with a movie that's a bad experience. If it makes a bejillion dollars, I will hate it till the end of time.
I still like the idea of having an intimate experience with a movie, but I love watching stuff on my iPad. It's close, and I feel like I'm a part of it, so maybe that makes more sense in some cases.
The entire process of making a movie is sort of blind trust because, otherwise, all of it just doesn't make any sense: the fact that we can create any sense of reality or emotion given the arbitrariness of a day.
Every movie I get involved with I get involved in as big a level as I possibly can, but this has been a very much more personal journey for me, so bringing it here tonight there's a sense of relief, there's a sense of just amazement that got here... because it's been a struggle. But this is a good way to launch it and there couldn't be a better way of celebrating this movie than bringing it to the West End.
I always believe, with any kind of hero, that you want to believe that their decision-making is right. That ultimately, I can trust what that guy's sense of right and wrong will be. Even in a vigilante movie, where you are going against the law by definition, you still want to agree with the fact that your character is breaking the law.
When I was told that I was doing a movie called 'Lola Rennt,' I was like, 'What?' I didn't get it, or the title. I started reading the script, and I still couldn't fathom that it was about a person named Lola running. Before my agent explained it to me, I couldn't even make any sense out of it.
We need to bridge our sense of loneliness and disconnection with a sense of community and continuity even if we must manufacture it from our time on the Web and our use of calling cards to connect long distance. We must “log on” somewhere, and if it is only in cyberspace, that is still far better than nowhere at all. (264)
If we don't have the actors, or you get the sense that some of the other people involved in making the movie don't necessarily see the movie the way you see it - all those elements, for us, we like having those things feel like they're moving in the same direction.
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