A Quote by Joshua Malina

If 'Scandal' were to run for the rest of my career and prevent me from doing anything else, I would sign that contract this moment. — © Joshua Malina
If 'Scandal' were to run for the rest of my career and prevent me from doing anything else, I would sign that contract this moment.
What I did sign was a tentative contract with Impact Wrestling when they were still Impact. That contract had a clause for me, because I was already working on some stuff in other areas of television. That clause basically said that if something else in television were to happen for me, they can't be uncooperative.
I'm not willing to sign a contract. They want everything. They want the rights to do the movie and everything else they can think of, forever. There's no limit to the contract. In this universe and universes to be discovered - I'm not making this up - this is in the contract.
When you prevent me from doing anything I want to do, that is persecution; when I prevent you from doing anything you want to do, that is law, order, and morals.
I would expunge the word "aptitude" from our vocabulary, because if you're interested in something, that's all that matters. You'll spend more time doing it, that than anything else, and possibly more time doing it than anybody else. And that's all that matters, because in the end, if you love what you do, you'll be your best at it compared to anything else you might have chosen as a career.
I think scandal probably attracted more American attention to Formula 1 than anything else in American news in decades. And that`s because it was a sex scandal, a particularly lurid sex scandal involving this guy Max Mosley.
The truth is my idea has been to always stay at Barcelona and see out the rest of my career here. Like I always say, one doesn't know what can happen in the future, but if it were up to me to decide, I would stay at Barcelona for the rest of my career.
So the only things I was being allowed to audition for were small roles in comedies. It broke my heart. No one would see me for anything else. I knew, in order to open up my career, I had to leave or that's all I would ever be given.
I started my career because if I'd have done anything else, I would regret it. I truly feel this career chose me more than I chose it. I would say that it's for something greater than me with a little of the creative fulfillment that comes with it splashed in there.
My school reports always used to point out that my concentration levels were appalling. I never listened in class because I was always daydreaming about racing. I never thought for a moment about doing anything else. There was no guarantee that I'd make a career in it but I never had any plan B.
I love acting. I can't imagine anything else that I would do. I know a lot of actors that really want to be directors and be musicians and all that stuff. I like acting and I feel like I'm good at it. It kinda makes me happy. It's actually pretty easy to me and I can't imagine doing anything else at this point because I've been doing it for so long.
When people say, 'If you could do anything else, what would you do?' I would be an actress. That's something that I would do - I can't see myself doing anything else.
The years in Boston were the best of my career, and they mean more to me than anything. Winning on that stage was incomparable to anything else. That's the way I choose to look at it.
I think in the early part of my career, the roles were so disparate that it never gave anybody an opportunity to understand my essence and what I would be good at doing, as opposed to what I would not be good at doing, so these little moments of beautiful things that were happening to me were consistent, but very few and very far between.
You sign a contract, and you abide by the contract. And sometimes my turn would come around on Sunday. Even though I didn't like to play baseball on Sunday, it was my job.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength
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