A Quote by Joshua Malina

For better or worse, I have a lot of vaudeville circus skills that you just can't showcase in Aaron Sorkin's work. — © Joshua Malina
For better or worse, I have a lot of vaudeville circus skills that you just can't showcase in Aaron Sorkin's work.
I'd love to work with Aaron Sorkin on something. Just the way he writes, he has no fear in writing people that are fiercely intelligent, and I love that.
When you get a chance to work with Aaron Sorkin, you don't say no. You drop everything you're doing.
I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
All of Aaron Sorkin's characters are so smart.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
I think it's great when writers get recognition; it doesn't happen very often. I just don't want that writer to be me. Let it be Aaron Sorkin or, you know, somebody good.
I don't think Aaron Sorkin can write a character who isn't really funny.
I am lucky enough to have Aaron Sorkin write what I have to say.
Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.
I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker.
Everybody knows Aaron Sorkin's scripts. There's a huge amount of lines. There's a huge amount of interchange. You gotta do a lot of learning to be able to get it up to pace.
I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.
Aaron Sorkin is why people hate liberals. He's a smug, condescending know-it-all who isn't as smart as he thinks he is.
Aaron Sorkin very sticky about using precise language. It's in his contract: you have to use what he writes!
Though 'Moneyball' had the talents of screenwriters Steven Zaillian and Aaron Sorkin going for it, they weren't baseball insiders.
During my many hours on the Acela, I have taken to watching 'The West Wing,' Aaron Sorkin's drama of an idealised White House.
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