A Quote by Joshua Malina
I'm incapable of truly relaxing. I remember when I was younger and less wise or experienced, actors that I knew would always talk about jobs ending and wondering whether they were ever going to work again. Now that's my life.
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There's always stuff to write about. So it's very gratifying on a lot of levels. This is stuff I got asked over and over again, or heard about. People would ask me about it, but they kind of knew the answer. It would be this ongoing question: "Your fans are wondering, now that you're married, are you still going to be able to write songs?" I'm serious! I would get asked that!
If you look at the ecosystem, entrepreneurs as a class have gotten younger, younger, and younger. They also as a class have become less and less and less experienced. The good part about that is that you're unlocking this ability to start a company to so many more people. That's an amazing positive. The negative is they're coming to that job with dramatically less experience than they've ever had. So there needs to be someone around the table that can then help them.
I think the hardest thing about being an actor is between jobs when you don't know and wondering if you'll ever work again. It's kind of a crazy business.
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
I will tell you privately it's not going to get better, it's going to get worse all the time, but don't fret. Remember, we play the ball where it lies, and now let's not talk about this, ever again.
We're always being told 'find your voice.' When I was younger, I never really knew what this meant. I used to worry a lot about voice, wondering if I had my own. But now I realize that the only way to find your voice is to use it. It's hardwired, built into you. Talk about the things you love. Your voice will follow.
I knew going in that being a single parent would be one of the toughest jobs I'd ever have. I'd been a talk-show host, actor, comic, and on and on, but this gig was going to be my defining moment.
For ever and ever, we say when we are young, or in our prayers. Twice, we say it. Old One, do we not? For ever and ever ... so that a thing may be for ever, a life or a love or a quest, and yet begin again, and be for ever just as before. And any ending that may seem to come is not truly an ending, but an illusion. For Time does not die, Time has neither beginning nor end, and so nothing can end or die that has once had a place in Time.
Once upon a time, if you were going to get a loan from me, I would have had to look at your file, and I would have to make a decision about whether youre going to get a loan. Maybe we would meet and talk about it. There would be some level of human involvement and human interaction. Now, a lot of this is determined by an algorithm.
If I were to talk to my younger self, I would say, 'Girl, you're gonna be on Broadway one day.' I sometimes think about my younger self knowing that and how ridiculously she's sobbing somewhere, so I would love to tell her that it's all going to happen.
Have you come over time to think that you know more now than you did when you were young, know less now than when young, know now there is so much more to know than you knew there was to know when young that it is moot whether you think you knew more then than now or less, or do you now know that you never knew anything at all and never will and only the bluster of youth persuaded you that you did or would?
The ending has to fit. The ending has to matter, and make sense. I could care less about whether it's happy or sad or atomic. The ending is the place where you go, “Aha. Of course. That's right.”
I just made the decision that I was going to try comedy, and if didn't work, then I knew it didn't work. Then I would go back and do whatever. But at least I wouldn't torture myself the rest of my life, wondering whatever would have happened.
Liverpool really ever since I can remember, but anyway in the '50s and '60s was always a place where people were potentially in show business, knew someone who was, would like to be, had been but were now doing something else and there was a general recreational feeling in the air at all times.
I've never fought with anyone. A lot of people talk to me, and they're like, 'Oh, you would have been fighting all the time when you were younger,' but I'm like, 'I never fought with anyone because I always knew that if I hurt myself, I might lose important time in my cricket career,' so I never got into any fight, ever in my life.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
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