A Quote by Joshua Mohr

I always joke that every novel is really about the same thing: one person's struggle against society. — © Joshua Mohr
I always joke that every novel is really about the same thing: one person's struggle against society.
The only struggle which religions can justify, the only struggle worthy of humans, is the moral struggle against humanity's own disordered passions, against every kind of selfishness, against attempts to oppress others, against every type of hatred and violence.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I like that we don't have to come out the first 10 minutes and score, you know, with joke, joke, joke. We can open it in a more novel way and keep playing different pranks as we go through the thing.
People finally understood that the role of the social-democratic party rests on its conscious leadership of the mass struggle against the existing society, a struggle that must reckon with the vital, necessary conditions of capitalist society.
I'm not a person who does the same thing every day. It's kind of how I feel about food - I can't eat the same thing every day.
Every politician deep inside is authoritarian. If the person doesn't have ambition, that's not a politician. Society needs to put every ambitious, every effective politician into such a position that it helps - that this person helps improve society. That's why I'm always talking about need to change the system rather than should we go with Navalny or Gudkov or Yavlinsky or Khodorkovsky. We all have our ambitions. We're all ambitious people.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
I always have the same thing - which is the fear of not getting a laugh - that I've had from the time I was a kid; obsessing over, 'This joke doesn't quite work, we've got to get this right.' I was always like that, whether I was a member of a six-person ensemble or whether I'm the center of a show.
It's not really about the competition. Your biggest challenge in a race is yourself. You're often racing against time. You're frequently running everything through your mind. You're always competing against preconceived ideas. It's not really the person next to you that you worry about.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
At the time, it was a really funny joke [Fluffy] and I went back and forth with going against the joke or embrace it. I decided to embrace it and now we're talking about it, so it was a good call.
I think the most inspiring thing that Americans can do for the rest of the world is struggle against the evils in our own society.
It's easier not to make a particular joke in case it offends. But every joke will offend someone, and I've always believed that the audience is bigger than one person. The danger is that things will become bland.
The novel is always pop art, and the novel is always dying. That's the only way it stays alive. It does really die. I've been thinking about that a lot.
Few years ago [Donald] Trump was being roasted by Comedy Central. They always have rules about things that you can't joke about. Donald Trump's rule at that time, the only thing that you couldn't joke about was a suggestion that he has less money that he claimed to.
Wonderful thing about novels is that sometimes we read a novel and we know the person in the novel more than we know people in our own lives.
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