A Quote by Joshua Ostrander

I've got to give my neighbors a bottle of wine or something because I was just screaming into microphones and learning how to play instruments, and it was a lesson in patience for them, I believe.
[The biggest lesson I've got is] Learning to have patience with people, just take it one step at a time in everything that you're doing and just invest time in the people that you're with ... have patience with them, even if they're not necessarily the easiest person to work with.
I like how wine continues to evolve, like if I opened a bottle of wine today it would taste different than if I'd opened it on any other day, because a bottle of wine is actually alive. And it's constantly evolving and gaining complexity.
In the early '90s, my parents weren't really drinking wine. They had a bottle or two laying around, but it had been a stigma where a bottle of wine had to be for a super special occasion. A bottle of wine had to go with a steak. And it was this thing that seemed so distant.
I love using my Coravin Model Six at home to just give a glass of wine to my friends and family without having to commit to the whole bottle. It's perfect when everyone wants something different. I also love being able to try a glass of a bottle I've always been wanting to see if it's ready to drink.
I play a bunch of instruments, like piano, drums, guitar and bass. And the kazoo every now and then. I'm trying to learn how to play the trumpet and the saxophone. That's what I'm learning how to play.
Patience is a virtue, and I'm learning patience. It's a tough lesson.
The major rock instruments and classical instruments were designed for performance, for sharing the music with an audience, and then later people put microphones on them and recorded them. But for electronic music, the opposite was true - they're designed in laboratories, and later, we tried to put them on stage.
In the 1990s I got to play in a group that played in prisons in California. We would play in maximum security wards. It was infuriating. Those kinds of situations stick with me. We got to come in and play music for them because that's a way of caring, just offering something, a gift, basically. They're basically the most grateful audiences I've ever experienced, because nobody's giving them anything.
I drank a bottle of wine for company. It was Chateau Margaux. It was pleasant to be drinking slowly and to be tasting the wine and to be drinking alone. A bottle of wine was good company.
I've always loved my red wine, and when I'm not working I can open a bottle too many. I love to cook, so it's one for me and one for the casserole. I would consume a bottle of wine on my own of an evening and then literally pass out.
There are parents out there screaming as if their kid is going to be in the big leagues someday. C'mon. I chew them out if I see that. Maybe they've got their own idea how to do things, but it's wrong. Just be with the kids. Let 'em make errors. Give them all a chance. It's not about winning. It's spirit, togetherness.
Many have marked the speed with which Muad'Dib learned the necessities of Arrakis. The Bene Gesserit, of course, know the basis of this speed. For the others, we can say that Muad'Dib learned rapidly because his first training was in how to learn. And the first lesson of all was the basic trust that he could learn. It is shocking to find how many people do not believe they can learn, and how many more believe learning to be difficult. Muad'Dib knew that every experience carries its lesson.
To the bottle! In infancy, the milk bottle; in our prime, the wine bottle; in our dotage, the pill bottle.
Ive always loved my red wine, and when Im not working I can open a bottle too many. I love to cook, so its one for me and one for the casserole. I would consume a bottle of wine on my own of an evening and then literally pass out.
Learning patience was not an easy lesson.
Some of the guys I played with .. didn't go around learning more about their instruments from an intellectual point of view. All they wanted was to play hot jazz, and the instrument was just a means. I'd imagine that a lot of them criticized me-said my technique was too good. Something like that. But I've always wanted to know what made music. How you do it, and why it sounds good. I always practiced, worked like hell.
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