A Quote by Joshua Ostrander
I was working two landscaping jobs; I was recording songs in the spare bedroom. I would get up at 4 A.M., go to work, get back at 6 P.M., have nap, then start recording, just go until I fell asleep.
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If you try to go for a big two-hour nap, you get groggy. You wanna just nap, like close your eyes a little bit and then just fall asleep for a little bit and then get up. Then be like, "okay, I'm up."
My mornings start with mom coming into my bedroom and waking me up, or trying to wake me up, and then I go back to sleep. Then my mom wakes me up again and yells at me. Then she'll get me to wake up, and I'll get dressed and go to school. We go to school, and my teacher tells me that I didn't do the homework well enough. And that's that.
That's what so great about making movies. It's that you get to do stuff you never would be able to do in real life. You get to go to a recording studio, you get to go to Navy ships and fly all over the world for press. And it's just a great job.
My first songs, I would just record them on this little tape recorder, and then I didn't start recording songs I really liked until my friend gave me a 4-track (recorder) and that's when my ideas really started coming together.
The first rap I recorded was on Jeezy's 'White Girl' beat. One of my partners invited me to his studio, so I go. I wasn't planning on recording, we were just messing around. And I started recording a song, just a freestyle. Back then, Jeezy was going so hard, that's what everyone was on. That's what me and my partners in the trap would listen to.
Me and a mate picked up two darling birds and they took us back to their flat. I went into the bedroom with my bird and she started getting undressed. I was that drunk I was standing there wondering how to get undressed without letting go of the award. I went to sit on the bed, missed it by four feet and ended up lying on the floor. I remember the bird looking down at me, and saying, ‘Some player of the year.’ Then I fell asleep. I woke up still clutching my award and staggered out of the flat. I hadn’t a bloody clue where I was.
I had been, like, 'I don't wanna be a singer anymore', so dramatic, but when I was recording with Brian Higgins I was like, oh my god I love this, I love these songs, I love what this is. And then we just kept on working and working until we got more songs.
I would go to work from 9 to 6, go home, nap for two hours, then write from 8 to 2 a.m.
I suppose one thing that's always fascinated me is that thing where you're a band and you want to start recording and you get a label and a producer, and then there's that pressure to go out there and really toil.
If nobody needs me - and usually, these days, they don't - I'll fall asleep until around midnight. Then I go upstairs and work until 4 A.M., and that's when I go back to bed for good. It suits me.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
I get up, I have breakfast, go work out, go to my eye appointment, come home, relax for a couple hours, and then go get my kids from school and start carpooling them around to their different activities and things they do.
After school, my mom would pick me up and I would just go to visit my dad in the recording studio, and I would see him working with Mark Hamill or hear him doing the 'Transformers' or a 'G.I. Joe' or the 'Rugrats.'
Well, especially now I come to realize - and then - I would do my schooling which was three hours with a tutor and right after that I would go to the recording studio and record, and I'd record for hours and hours until it's time to go to sleep.
Mostly, isolation allows me to go through a period where I really concentrate and get in a flow. Sometimes the whole process can be daunting, and when you're away from it, thinking about going back to it is especially daunting. If I go away for a week, I can be working on 10 songs at once, just jumping around to each one. I can get a month's worth of work done.
Having full-time classes, it doesn't really work out because there's so much workload and so much studying that you really don't have time to train. I'd stay up until two or three in the morning just studying, and then I'd have to go get a few miles running, work out at the gym super late, and try to get my working out in late at night.
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