A Quote by Joshua Prince-Ramus
It’s time for architecture to do things again, not just represent things.
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Architecture is art. I don't think you should say that too much, but it is art. I mean, architecture is many, many things. Architecture is science, is technology, is geography, is typography, is anthropology, is sociology, is art, is history. You know all this comes together. Architecture is a kind of bouillabaisse, an incredible bouillabaisse. And, by the way, architecture is also a very polluted art in the sense that it's polluted by life, and by the complexity of things.
I don't think everything has to be new all the time. You don't have to have the latest designer all the time to look good. Just have things you're comfortable with, have key pieces that you can sort of reinvent over and over again, and always keep things that you really love for a while.
Two other things that we hear again and again from our founders, they wish they had done earlier, and that is... simply writing down how you do things and why you do things.
I wanted a real profession. And I'd always been interested in architecture and in design and in, really, what makes things work. And understanding what's kind of behind the walls and why things stand up and some things don't.
Things change all the time, and they'll probably never be the same again. It's just the natural evolution of the human condition. Things change, and whatever it is is what it is. I mean, you try to start second guessing that, you either get rich or die broke.
Things change all the time, and theyll probably never be the same again. Its just the natural evolution of the human condition. Things change, and whatever it is is what it is. I mean, you try to start second guessing that, you either get rich or die broke.
Architecture can't fully represent the chaos and turmoil that are part of the human personality, but you need to put some of that turmoil into the architecture, or it isn't real.
I can be almost terminally grief-stricken because things are so dire, but at the same time, there's a real lightheartedness about just the recoverability of life, of how things change, how they're not the same, ever again.
I love old architecture. I love collecting furniture, mixing really earthy things with the very polished. I don't come from an interiors background, so I'm not an expert. I just enjoy going to antiques shows and finding interesting things.
What connects architecture and music is that neither one is really an object. It's more like an ambience, a surrounding and a context. You can do other things while you're listening to music and of course, you can do other things while you're in the middle of architecture. The notion of multi-attention seems to me like it's the keynote to the beginning of the 21st century.
I don't think I ever would have had a problem being vulnerable or introspective but the problem with drinking is it's very hard to zero in on one part. You're not dealing with anything in real time, you're constantly moving and constantly going. You're drinking to get away from things, things your dealing with. My wife might be calling me trying to argue and I don't wanna deal with it so I just go drink and by the time we talk again I'm so drunk I just don't care. I'll just deal with it however.
The content could be done anyplace, but the real invention is the architecture. The architecture is the only work that really defines a new way of doing things. I think this point is fundamental.
A flag is supposed to represent everything that a country does. It doesn't only represent the good things. If you burn the flag, you're burning the flag for what you perceive to be the bad things the country has done. it's only a symbol. It's only a piece of cloth.
I'd been to Stourhead and was inspired by the perfect parity between architecture and art; in fact, the architecture is the art. I wrote a piece called 'Not Sculpture Park,' because most of these things become car parks for bought-in sculpture. The artists should be working with the site, not just plonking pieces down.
And then, 'Why is a raven like a writing desk?' Those things just became so important to the character. You realize that the more you read it, if I read the book again today, I'd find 100 other things that I missed last time. It's a constantly changing book.
I'm pretty confident that the seafood from the Northeastern Atlantic is one of the most delicious and unique in the country, so that we can represent that in a way that the Italians like to represent things.
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