A Quote by Joshua Reynolds
Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended, and surprising at last with an unexpected catastrophe.
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Poetry operates by raising our curiosity, engaging the mind by degrees to take an interest in the event, keeping that event suspended, and surprising at last with an unexpected catastrophe. The painter's art is more confined, and has nothing that corresponds with, or perhaps is equivalent to, this power and advantage of leading the mind on, till attention is totally engaged. What is done by Painting, must be done at one blow; curiosity has received at once all the satisfaction it can ever have.
In fact, the very nature of an X-event is that it is both rare and surprising. So I would not say that any specific X-event is likely. What I would say, though, is that some X-event is not only plausible, but very likely in a time scale of a few years.
Behind their eyes the hope was sickening and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been.
If I'm doing an event, if it's a charity event, where it's a walk-around event, where I gotta put a thousand small plates out in the course of a four-hour event, I gotta make sure I can do something that I know I can produce, that's going to be consistent and good all night long.
Poetry is not the record of an event: it is an event.
Reality is not a function of the event as event, but of the relationship of that event to past, and future, events.
A play's got to be a dramatic event, not a lyrical event. It's not music, it's not poetry, it's not dance, it's not narrative - it's dramaticit's about conflict. It's about forces coming together.
I think if I have one message, one thing before I die that most of the world would know, it would be that the event does not determine how to respond to the event. That is a purely personal matter. The way in which we respond will direct and influence the event more than the event itself.
This is not remarkable, for, as we know, reality is not a function of the event as event, but of the relationship of that event to past, and future, events. We seem here to have a paradox: that the reality of an event, which is not real in itself, arises from the other events which, likewise, in themselves are not real. But this only affirms what we must affirm: that direction is all. And only as we realize this do we live, for our own identity is dependent upon this principal.
The occurrence of any event where the chances are beyond one in ten followed by 50 zeros is an event which we can state with certainty will never happen, no matter how much time is allotted and no matter how many conceivable opportunities could exist for the event to take place.
You have to understand that PTSD has to be an event that you experience, a very traumatic event. And actually, there is evidence that brain chemistry changes during this event in certain individuals where it's imprinted indelibly forever and there's an emotion associated with this which triggers the condition.
A non-event ... is better to write about than an event, because with a non-event you can make up the meaning yourself, it means whatever you say it means.
Our response to an event is more important than the event itself.
The transition from cause to effect, from event to event, is often carried on by secret steps, which our foresight cannot divine, and our sagacity is unable to trace.
The Severing is a catastrophe: an event that does not take place 'at' a certain 'point' in linear time, but a wave that ripples out in many dimensions, and in whose wake we are caught.
Fate is a misplaced retreat. Many people rationalize an unexplained event as fate and shrug their shoulders when it occurs. But that is not what fate is. The world operates as a series of circles that are invisible, for they extend to the upper air. Fate is where these circles cut to earth. Since we cannot see them, do not know their content, and have no sense of their width, it is impossible to predict when these cuts will slice into our reality. When this happens, we call it fate. Fate is not a chance event but one that is inevitable, we are simply blind to its nature and time.
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