A Quote by Josiah Wedgwood
Beautiful forms and compositions are not made by chance, nor can they ever, in any material, be made at small expense. A composition for cheapness and not excellence of workmanship is the most frequent and certain cause of the rapid decay and entire destruction of arts and manufacturers.
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Beautiful forms and compositions are not made by chance, nor can they ever, in any material, be made at small expense.
Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity. It is for this reason that these are beautiful forms, the most beautiful forms. Everybody is agreed to that, the child, the savage and the metaphysician.
The amiable is a duty most certainly, but must not be exercised at the expense of any of the virtues. He who seeks to do the amiable always, can only be successful at the frequent expense of his manhood.
In a certain sense I made a living for five or six years out of that one star [? Sagittarii] and it is still a fascinating, not understood, star. It's the first star in which you could clearly demonstrate an enormous difference in chemical composition from the sun. It had almost no hydrogen. It was made largely of helium, and had much too much nitrogen and neon. It's still a mystery in many ways ... But it was the first star ever analysed that had a different composition, and I started that area of spectroscopy in the late thirties.
It is called the real presence, not in an exclusive sense, as though other forms of presence were not real, but by reason of its excellence. It is the substantial presence by which Christ is made present without doubt, whole and entire, God and man.
Historians and archaeologists will one day discover that the ads of our time are the richest and most faithful reflections that any society ever made of its entire range of activities.
They began to tune up, and suddenly the auditorium was filled with a single sound - the most alive, three-dimensional thing I had ever heard. It made the hairs on my skin stand up, my breath catch in my throat....I felt the music like a physical thing; it didn't just sit in my ears, it flowed through me, around me, made my senses vibrate. It made my skin prickle and my palms dampen...It was the most beautiful thing I had ever heard.
The only happy talkers are dandies who extract pleasure from the very perishability of their material and who would not be able to tolerate the isolation of all other forms of composition; for most good talkers, when they have run down, are miserable; they know that they have betrayed themselves, that they have taken material which should have a life of its own, to dispense it in noises upon the air.
I think every doctor should know the shocking state of affairs...We discovered they (the FDA) failed to effectively regulate the large manufacturers and powerful interests while recklessly persecuting the small manufacturers. ...(The FDA is) harassing (small) manufacturers and doctors...(and) betrays the public trust.
I criticise these compositions by analysis but an illustration cannot be made that way - it must be made by inspiration.
Improvising is writing, too - there was no music and now there's music. So that's composition. And any time you take any sort of a performance liberty, you're making a compositional choice. I don't know a serious performer who hasn't made compositional decisions, who hasn't engaged in the art of composition.
After I made 'A Crow Looked at Me,' I remember people saying things to me like, 'You've made a beautiful tribute to Genevieve.' And I felt like, no! No no no, I haven't. I made a tribute to my own destruction and desolation. This is not a portrait of her. That's not who she was. She wasn't just a person who died.
It's all papers and forms, the entire Civil Service is like a fortress made of papers, forms and red tape.
Seeing certain players join certain teams, basically throwing off the entire power dynamic, more or less removing any chance of any other team sharing in success, I just - no.
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
And for a disciple thus freed, in whose heart dwells peace, there is nothing to be added to what has been done, and naught more remains for him to do. Just as a rock of one solid mass remains unshaken by the wind, even so, neither forms, nor sounds, nor odors, nor tastes, nor contacts of any kind, neither the desired, nor the undesired, can cause such an one to waver. Steadfast is his mind, gained is deliverance.
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